Inscriptions -- England -- London; London (England) -- Antiquities; Signs and signboards
The Bull and Mouth was at its zenith as a coaching inn during the early
part of this century, just before the development of railroads. Mr.
Edward Sherman was then landlord, having succeeded Mr. Willans in the
year 1823; he also had the Oxford Arms, Warwick Lane. It was he who
rebuilt the old house, and made stabling underground for a large number
of horses. When the business of coaching came to an end, the gateway
from St. Martin’s-le-Grand was partially blocked up and became the main
entrance to the hotel, which, under a new name, flourished till its
final closing in the autumn of 1886. On September 28 of that year, the
stock of wine, amounting to 750 dozen, was sold; during the winter
the house was used as an adjunct of the General Post-Office. In July,
1887, the Jubilee fittings of Westminster Abbey were sold by auction in
the large coffee-room. They consisted of Brussels carpets, hangings,
cushions, etc., and produced upwards of £2,000. In the space cleared
shortly afterwards for the new post-office, a large piece of the City
wall has been discovered. The old Bull and Mouth Inn, destroyed in
1830, with its three tiers of galleries, was very picturesque: many
illustrations of it exist.
A seventeenth century trade-token was issued from a Bull and Mouth in
Bloomsbury, still represented by a modern public-house at No. 31, Hart
Street.
A wooden carving of a Civet Cat was some years since the appropriate
sign of an old-fashioned perfumer’s shop in Cockspur Street. An
illustration of it appears in the _Illustrated London News_ for
December 13, 1856.
[Illustration]
[Illustration]
CHAPTER IV.
ANIMALS REAL AND IMAGINARY--(_Continued_).
‘Figures strange--and sweet,
All made out of the carver’s brain.’
COLERIDGE: _Christabel_, pt. I.
THE sign of the Dog and Duck is to be found imbedded in the garden wall
of Bethlehem Hospital, in the district formerly called St. George’s
Fields. Size, 4 feet by 2 feet 6 inches.
[Illustration]
It is in two divisions, and is dated 1716; the part to the right
represents a spaniel sitting on its haunches with a duck in its mouth,
and appears to me a capital specimen of grotesque art. This was the
sign of the Dog and Duck public-house.
Public-domain text, read in full here on John Shaqi.
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