Sir Nicholas Bacon was so learned in the law that he was appointed attorney in the Court of Wards, and made a Privy Councillor and Keeper of the Great Seal under Elizabeth. When the Queen visited him at Redgrave, she observed, alluding to his corpulence, that he had built the house too little for himself. ’Not so, madam,’ he answered; ’but your Majesty has made me too big for my house.’ A man was brought before Sir Nicholas accused of a crime which, under the Draconian laws then in force, involved the penalty of death. He was found guilty, and, asked whether he had anything to say for himself, appealed to the judge’s compassion, seeing that he was a kind of relation to him, his name being Hogg. ’True,’ replied Bacon; ’but Hog is not Bacon till it’s hung.’ And hung, or hanged, to speak correctly, he was, and thus did not save his bacon. But the jest was a cruel one. *VII.* *SOME FAMOUS LONDON ACTRESSES.* Distance lends enchantment to the view, but the view frequently does not return it, a common practice with borrowers! Distance alone invests the East with a halo of romance and beauty, to which it really can lay no claim. The romance is the invention of Western imagination, and the beauty, if not tawdry, is monstrous. In no respect is this excess of imagination over the reality more apparent than in the eidolon the European forms in his mind of Eastern female beauty. He hears or reads of houris, and nautch-girls, and bayaderes, and the dancing-women of Japan and Burmah; but if ever he sees any of them he will be disenchanted, for awkward figures they are, wrapped up in clothes like so many sacks, twisted and tied over one another—if not old, at least middle-aged women with rings in their noses. Pooh! enough of them! The real beauties the European never gets a sight of, they are shut up in harems. But still he thinks the East the region of beauty, and longs for it, even when he sees beauty in perfection in the West, where alone it is to be found, because in Western lands alone physical and intellectual or perfect beauty exists in combination. And this combination is most frequently seen, as may be surmised from the nature of her avocation, in the actress. Women first appeared on the English stage in 1660. On December 6 in that year, at the performance of ’Othello’ at the Duke’s Theatre, Lincoln’s Inn Fields, the prologue spoken is entitled: ’A prologue to introduce the first woman that came to act on the stage.’ Pepys went to see ’The Beggar’s Bush’ at the same theatre on January 3, 1661, and reports: ’Here the first time that ever I saw a woman come upon the stage.’ But the Queen had long before then, namely, in 1633, acted in a pastoral given at Court. The practice having, however, been introduced at the Duke’s Theatre, was continued, to the disgust of moralists, who looked upon the ’enormous shamefulness’ of female acting as a sinful practice.