[16] The most important is Churchill’s _Rosciad_ (1761), with the numerous replies which it elicited: the _Churchilliad_ (1761), the _Smithfield Rosciad_ (1761), the _Anti-Rosciad_ (1761), by Thomas Morell (1703–1784), and _The Rosciad of Covent Garden_ (1761) by H. J. Pye (1745–1813). Among other satires of the same class may be mentioned the _Smartiad_ (1752) by Dr. John Hill (1710–1775), with its answer, the severe and effective _Hilliad_ (1752) by Christopher Smart (1722–1771); the _Meretriciad_ (1764) by Arthur Murphy (1727–1806); the _Consuliad_ (1770), a fragment by Chatterton; the _Diaboliad_ (1777), with its sequel, the _Diabolady_ (1777) by William Combe (1741–1823); and finally the _Criticisms on the Rolliad_, Gifford’s _Baviad_ and _Mæviad_, the _Simpliciad_, and the _Alexandriad_ (1805). [17] _The Scandalizade_ (1750); _The Pasquinade_ (1752) by William Kenrick (1725–1779); _The Quackade_ (1752); _The Booksellers_ (1766); _The Art of Rising in the Church_ (1763) by James Scott (1733–1814); _The Senators_ (1772); and _The Tribunal_ (1787). [18] A few typical controversial satires of this decade are: _The Race_ (1762) by Cuthbert Shaw (1739–1771); _The Tower_ (1763); _The Demagogue_ (1764) by William Falconer (1732–1769); _The Scourge_ (1765); and _The Politician_ (1766) by E. B. Greene (1727–1788). [19] Some characteristic examples are the _Epistle to Cornbury_ (1745) by Earl Nugent (1702–1788); the _Epistle to William Chambers_ (1773) and the _Epistle to Dr. Shebbeare_ (1777) by William Mason (1724–1797); and the _Epistle to Dr. Randolph_ (1796), as well as numerous other epistles, by T. J. Mathias. [20] See Macaulay’s _Essay on Horace Walpole_, page 35. [21] _An Essay on the Different Styles of Poetry_ (1713) by Thomas Parnell (1679–1718); _The Danger of Writing Verse_ (1741) by William Whitehead (1715–1785); _A Prospect of Poetry_ (1733); _The Perils of Poetry_ (1766); and _The Wreath of Fashion_ (1780) by Richard Tickell (1751–1793). [22] The anonymous _Manners of the Age_ (1733); _Manners_ (1738) by Paul Whitehead; _The Man of Taste_ (1733) by James Bramston (1694–1744); the _Modern Fine Gentleman_ (1746) and the _Modern Fine Lady_ (1750) by Soame Jenyns (1703–1787); _Fashion_ (1748) by Joseph Warton (1722–1800); and _Newmarket_ (1751) by Thomas Warton (1728–1790). [23] Examples are the _Essay on Reason_ (1733) by Walter Harte (1709–1774); the _Vanity of Human Enjoyments_ (1749) by James Cawthorn (1718–1761), the most slavish of all Pope’s imitators; _Honour_ (1737) by John Brown; _Advice_ and _Reproof_ (1747) by Smollett; _Of Retired and Active Life_ (1735) by William Helmoth (1710–1799); _Ridicule_ (1743) by William Whitehead; _Taste_ (1753) by John Armstrong (1709–1779); _An Essay on Conversation_ (1748) by Benjamin Stillingfleet (1702–1771). [24] _Letters_, v., 162. [25] _Letters_, iv., 485. [26] See _An Apology_, 376–387.