Lord Byron as a satirist in verseFuess, Claude Moore
History
Lord Byron as a satirist in verse
Fuess, Claude Moore
Byron, George Gordon Byron, Baron, 1788-1824 -- Criticism and interpretation; Verse satire, English -- History and criticism
[38] See the _Spleen_ (1737) by Matthew Green (1696–1737); _Variety, a
Tale for Married People_ (1732); and the poems of Isaac Hawkins Browne
(1705–1760), James Bramston (1694–1744), George Colman, the elder
(1732–1794), John Dalton (1709–1763), David Garrick (1717–1779). John
Duncombe (1729–1763), and many other poetasters.
[39] _Probationary Odes_ also anticipate the more famous _Rejected
Addresses_ (1812), and the _Poetic Mirror_ (1816) of James Hogg, the
Ettrick Shepherd.
[40] For less reserved praise of the _Rolliad_, see Trevelyan’s _Early
History of Charles James Fox_, page 285.
[41] In _A Postscript_ he speaks of “the unmeaning and noisy lines
of two things called _Baviad_ and _Mæviad_”; while in a note to _Out
at Last, or the Fallen Minister_, he presents a sketch of Gifford’s
life, accusing him of heinous crimes, and speaking of the “awkward and
obscure inversions and verbose pomposity” of the _Baviad_. Gifford
replied in the _Epistle to Peter Pindar_ (1800). Mathias and Canning
invariably treated Pindar with contempt.
[42] _Vision of Judgment_, 92.
[43] See _A Dream_ (1786), a bitterly satirical address to George III,
and the _Lines Written at Stirling_, attacking the Hanoverians.
[44] Byron knew the _New Bath Guide_ well, and admired it. In one of
his youthful poems, an _Answer to Some Elegant Verses sent by a Friend
to the Author_ he uses four lines of Anstey’s poem as a motto. He also
quotes from it not infrequently in his letters.
[45] See _Letters from Simpson the Second to his Dear Brother in Wales_
(1788) and _Groans of the Talents_ (1807), both of which deliberately
appropriate Anstey’s scheme. Both are anonymous.
[46] See the _Epistle to my Sisters_ (1734) by Thomas Lisle; _The
’Piscopade, a Panegyri-Satiri-Serio-Comical Poem_ (1748) by “Porcupinus
Pelagius”; and Goldsmith’s three graceful satires, _Retaliation_
(1774), _The Haunch of Venison_ (1776), and the _Letter to Mrs.
Bunbury_ (1777).
[47] The attitude of the _Anti-Jacobin_ was almost precisely that
already adopted by Gifford and Mathias; that is, it represented extreme
Tory feeling, and therefore was resolutely opposed to any movement in
literature which seemed new or strange.
[48] The _Anti-Jacobin_ was deserted by its original editors, largely
because it was becoming too dangerous a weapon for aspiring statesmen
to handle. A new journal, under the same name, was less successful.
[49] It was the era described by Wordsworth in his sonnets _Written in
London, 1802_, and _London, 1802_, the last beginning,
“Milton! thou should’st be living at this hour:
England hath need of thee: she is a fen
Of stagnant waters! Altar, sword, and pen,
Fireside, the heroic wealth of hall and bower,
Have forfeited their ancient English dower
Of inward happiness. We are selfish men.”
[50] See the _Nation_, volume xciv., No. 2436, March 7, 1912.
Public-domain text, read in full here on John Shaqi.
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