“Let claws of lightning clutch me
From summer’s groaning cloud,
Or ever malice touch me,
And glory make me proud.
Oh, give my youth, my faith, my sword,
Choice of the heart’s desire:
A short life in the saddle, Lord!
Not long life by the fire.”
You find admonishing whispers from a mind grown expert in counsel:
“Take Temperance to thy breast,
While yet is the hour of choosing,
As arbitress exquisite
Of all that shall thee betide;
For better than fortune’s best
Is mastery in the using,
And sweeter than anything sweet
The art to lay it aside.”
Here is the reflective, the scholastic, penetrating the hall of song
and hushing more abounding measures to its own consecrating uses.
She was in love, not with death as it was the poetic fashion to be
in a past era of creative minds, but with gentle withdrawals, fine
appreciations of ultimate values, cloistral consecrations. Her steady
hand on the reins of her horses of the sun, they took the heavenly
track of world-old orbits, not galloping at will, now high, now low,
from sunrise to the evening star. And this not because she feared, like
Icarus, to fall, but that she was perpetually referring beauty to its
archetype; she had, to paraphrase her own words, “eternity in mind.”
“Waiting on Him who knows us and our need,
Most need have we to dare not, nor desire,
But as He giveth, softly to suspire
Against his gift with no inglorious greed,
For this is joy, though still our joys recede.”
Public-domain text, read in full here on John Shaqi.
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