Here are beauties dear to the mortal mind to which an anguish of discontent is comprehensible because “it is common.” Here is the sum and circle of nature, tagged with the everlasting paradox: the mindlessness and indifference of the beauty wherewith we are surrounded and our hunger to which it will not, because it cannot, minister. This is great writing: for here the soul walks unabashed, articulate, impassioned, the finite crying to the infinite, the perishing atom appealing to the sky of the universal over him. Perhaps there can be nothing greater in a dramatic sense, in our prison-house under the encircling sky, than the accusatory or challenging voice of the creature, through the unanswering framework of his mortal destiny, to the God Who created both him and it. Lear, in the storm that was unmindful of him, set his breath against its blast. When the cry breaks into hysteria, then the man is mad. The merciful reaction that lies in nature’s anodynes sets in to counteract and dull. But our poet, though she can write: “Help me endure the Pit, until Thou wilt not have forgotten me,” never challenges her God with mad interrogation. It is not His justice she assails; she but beseeches the quickening of His will to save. There is an immeasurable distance between entire overthrow and the sanity of the creature who, though sorely wounded, has lost no jot of faith in divine medicaments. Her plea is only that she may share the wholesome life of His birds and trees. “As to a weed, to me but give Thy sap!” The poem may have been written in the period she calls “my calendar of imprisonments,” perhaps in the two years given over to “nerves.” This includes the eight years from 1894, when she entered the Auburndale post-office, through 1902. They were weighted with the routine work she desperately essayed at post-office and library. The summer of 1895, given to a walking trip in England, she illuminates by a rapt “_annus beatus_,” and two years were eaten into by the illness and death of the aunt she dearly loved, “the only being,” she writes, “who was all mine from my birth.” It was a cruelly large gulp for the dragon of time to make at the precious substance of her later youth. There was some fugitive versifying, but little of the steady routine of pen and book to make her life as she loved it. Some of her most significant verse did come in here, bright splashes of sunset red on the flat marsh lands of her way. Especially in the _annus beatus_ there was exquisite writing and some immediately after in that surge of remembered passion risen over and over again in those who love England and have said good-bye to her, only to return in homesick thought. Of this period Arboricide stands alone and stately, like the tree of her lament. “A word of grief to me erewhile: _We have cut the oak down, in our isle_.