Love in a Mask; Or, Imprudence and HappinessBalzac, Honoré de
General
Love in a Mask; Or, Imprudence and Happiness
Balzac, Honoré de
French fiction -- Translations into English
Mme. de Gernancé, displeased with her friend, but forced to yield to
her, went off to make her own preparations. But when the time came
to say good-bye, every one broke down; Elinor, in tears, handed her
patient over to Mme. de Gernancé, who promised to take him home with
her and to look after him carefully; Léon, white and grave, stood
beside the carriage, thanking her over and over again in impassioned
tones. He constantly left and then returned to the child, who cried
aloud when she saw her friend going away.
Mme. de Gernancé came close to Elinor.
"There is still time," she said in a whisper.
Wavering for a moment, Mme. de Roselis at last replied:
"No, there is only one way in which I can make that difficult
confession."
Then Mme. de Gernancé drew Léon away, took her seat in the carriage
with him, and the horses started at once, bearing both out of sight.
XI
Alone again, Elinor found her solitude unbearable; the happiness she
had lately tasted could henceforth alone satisfy her heart. Her one
thought now was to hasten to rejoin her friend and the man whom she
already regarded as her husband.
A week after their departure found her with her little daughter back
in her town house. Mme. de Gernancé was the only person who had been
informed of her arrival.
After a long talk, in which she explained to her friend the way--a
trifle romantic withal--in which she intended to make herself known to
Léon, she succeeded in inducing her friend to help her carry out the
scheme that pleased her fancy, and the pair separated, having arranged
all the details agreed upon.
The season of the Opera Balls had opened, and Mme. de Gernancé invited
Léon one night to accompany her to one. He declined at first, with a
hot haste she had not anticipated; the scene of the adventure that was
to have such an influence upon his life had become hateful to him,
and he had sworn never to set foot there again. But Mme. de Gernancé
insisted; she asked him only to lend her his arm until she could find a
stranger who had promised to come, and whom she wanted to puzzle.
Léon, unable to refuse anything to Mme. de Roselis' friend, at last
consented, though with inward repugnance, and they set off together.
His entrance into the ballroom was a painful moment for him; a tumult
of memories surged up in his mind.
Mme. de Gernancé made a few turns round the hall with him, and then,
pretending to have discovered the person she was seeking, she set him
at liberty and said good-bye. Scarcely had she left his arm when a
voice, in spite of the slight affectation of manner inseparable from a
masked ball, made his every pulse leap, uttered close beside him the
words:
"Ah ha, I have caught you, faithless one! It is not for me you are
looking, this time, at the Opera ball!"
He turned and saw before him--Who was it? His unknown lady herself. The
white domino, the mask, even the diamond buckle that fastened her belt
which he had noticed on that other occasion,--all were there.
Public-domain text, read in full here on John Shaqi.
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