"I must tell you exactly how I came to make imitation oil-paintings,"
said Alice candidly, as she sat on the three-legged stool in her garret
that first evening, with Doris in the Windsor chair beside her. "I was
forced into it by necessity. I am an orphan, you must know, and I live
with my dear elder brother Norman. He is an artist--a real gifted,
talented artist: he can paint such glorious pictures! But they don’t
sell yet. The fact is, the British public is so foolish!" She tossed
her curly head as she spoke. "It--it prefers these," waving her hand
towards the artificial oil paintings. "And meantime," she continued,
"meantime, Norman and I have come to the end of our resources. He
doesn’t know. He is such a dear old muddle-head about business matters
that he thinks the ten pounds he gave me last Christmas is still
unfinished!"
She laughed--it was characteristic of her, Doris found, to laugh when
others would cry. "And I had been so puzzled," Alice continued, "as to
how I should be able to find the means of subsistence for us both. For
I had long known Norman hadn’t another five-pound-note that he could put
his hands upon. I looked in his purse often, when he was asleep, and in
the secret drawer of his writing-table, which he uses as a cash-box, and
which he fondly imagines no one can open except himself. Don’t look so
shocked! Motive is everything, and I don’t pry about from curiosity,
but simply to keep the dear old fellow alive and myself incidentally.
Oh, where was I?" she paused for a moment in order to recover breath,
for she talked with great rapidity. "Oh, I know, I was saying we had
come to the end of our resources. I had sold my watch and my hair--oh,
yes, I didn’t mind that. It is much less trouble now it is short,
though I have to put it up in curlers at night, which makes it rather
spiky to sleep upon. However, I am always so tired that I can sleep on
anything. And, to cut a long story short, I sold everything I could lay
my hands upon that Norman would not be likely to miss. Then I saw in a
magazine, in the Answers to Correspondents, that very striking imitation
oil paintings could be made in a certain way, which would sell well
amongst ignorant, uncultured people, and, knowing what numbers of such
folk there are, I determined to try to make them." She paused for
breath.
Doris said nothing. Her blue eyes were fixed upon the other’s face and
she was reading it, and reading also between the lines of her story as
she listened to her talk.
Public-domain text, read in full here on John Shaqi.
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