He first looked about him to find a retreat, and immerse himself in the contemplation of time and eternity. It was a Saturday. John Sacrista Pascual tells us that his mother, a devout lady of Manresa, was in the church that morning; and, accompanied by two young men and three women, she was at her devotions in the chapel of the Apostles. A young stranger came up and accosted them. His clothing was of very common serge; for Ignatius had given away his knightly robes to a poor man. The youth looked like a pilgrim. He was not tall; he was fair in complexion and ruddy in cheek. His bare head was somewhat bald. Altogether he was of a fine and grave presence, and most reserved in look. He scarcely raised his eyes from the ground. Coming up, he asked if there were a hospital anywhere which might serve him for shelter. Regarding his noble and fair features, the lady, as became a Christian woman, offered her services; if he would follow her company, she would provide for him, in the best way possible. Courteously and thankfully he accepted her offer, and followed the party as they left the sanctuary. They proceeded slowly; for they noticed that he was lame. However much they urged him, they could not induce him to ride upon the ass. Three leagues away from Montserrat, they arrived at the little town of Manresa; and he took up his residence in the common hospital for the poor and pilgrims. Whatever alms or food was henceforth sent him first went to others, whom, in these matters, up to the end of his life, he always considered to be more in need than himself. He now entered on his probation of Christian virtue. In the mind of the Catholic Church, the degree of virtue which he practised is that accounted heroic. As it is not for me to dwell on it here, I will pass it over with one remark. That which is accounted ordinary Christian virtue, resting as it does on faith and hope, on principles not barely natural but supernatural, is not very intelligible to the world at large. Still less the heroic degree of the same. Both however claim to be estimated by their own proper motives and principles. When they enter into the very subject, which the biographer means to treat, it appertains to his art not to ignore the objective motives and reasons of things, as they operated in his subject. In the shortest monograph, like the present, we cannot separate from the work, which he did, the man who did it. And the man is made by his motives. It were bad literary art to describe feats, which are confessedly great, and not to find motives which are proportionate.