Humorous stories; London (England) -- Fiction; Lucia (Fictitious character) -- Fiction; Women -- England -- Fiction
Willpower, indomitable perseverance now, as always, was getting her just
precisely what she had wanted: by it she had become Queen of Riseholme,
and by it she was firmly climbing away in London, and already she was
saying that everybody was insisting on her dining and lunching with
them, whereas it was her moral force that made them powerless in her
grip. Riseholme she had no use for now: she was busy with something
else; she did not care to be bothered with Georgie, and so she said it
was the dining-room carpet.
“Very well,” said Georgie bitterly. “And if she doesn’t want me, I won’t
want her. So that’s that.”
He briskly put the letter away, and began to consider what he should do
with himself all day. It was warm enough to sit out and paint: in fact,
he had already begun a sketch of the front of his house from the Green
opposite; there was his piano if he settled to have a morning of music;
there was the paper to read, there was news to collect, there was Daisy
Quantock next door who would be delighted to have a sitting with the
planchette, which was really beginning to write whole words instead of
making meaningless dashes and scribbles, and yet none of these things
which, together with plenty of conversation and a little housekeeping
and manicuring, had long made life such a busy and strenuous
performance, seemed to offer an adequate stimulus. And he knew well
enough what rendered them devoid of tonic: it was that Lucia was not
here, and however much he told himself he did not want her, he like all
the rest of Riseholme was beginning to miss her dreadfully. She
aggravated and exasperated them: she was a hypocrite (all that pretence
of not having read the Mozart duet, and desolation at Auntie’s death), a
poseuse, a sham and a snob, but there was something about her that
stirred you into violent though protesting activity, and though she
might infuriate you, she prevented your being dull. Georgie enjoyed
painting, but he knew that the fact that he would show his sketch to
Lucia gave spice to his enjoyment, and that she, though knowing no more
about it than a rhinoceros, would hold it at arm’s length with her head
a little on one side and her eyes slightly closed, and say:
“Yes, Georgie, very nice, very nice. But have you got the value of your
middle-distance quite right? And a little more depth in your distance,
do you think?”
Or if he played his piano, he knew that what inspired his nimbleness
would be the prospect of playing his piece to her, and if he was
practising on the sly a duet for performance with her, the knowledge
that he was stealing a march on her and would astonish her (though she
might suspect the cause of his facility). And as for conversation, it
was useless to deny that conversation languished in Riseholme if the
subject of Lucia, her feats and her frailties was tabooed.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account