Humorous stories; London (England) -- Fiction; Lucia (Fictitious character) -- Fiction; Women -- England -- Fiction
“We’ve got to pull ourselves together,” thought Georgie, “and start
again. We must get going and learn to do without her, as she’s getting
on so nicely without us. I shall go and see how the planchette is
progressing.”
Daisy was already at it, and the pencil was getting up steam. A day or
two ago it had written not once only but many times a strange sort of
hieroglyphic, which might easily be interpreted to be the mystic word
Abfou. Daisy had therefore settled (what could be more obvious?) that
the name of the control who guided these strange gyrations was Abfou,
which sounded very Egyptian and antique. Therefore, she powerfully
reasoned, the scribbles which could not be made to fit any known
configuration of English letters might easily be Arabic. Why Abfou
should write his name in English characters and his communications in
Arabic was not Daisy’s concern, for who knew what were the conditions on
the other side? A sheet was finished just as Georgie came in, and though
it presented nothing but Arabic script, the movements of the planchette
had been so swift and eager that Daisy quite forgot to ask if there was
any news.
“Abfou is getting in more direct touch with me every time I sit,” said
Daisy. “I feel sure we shall have something of great importance before
long. Put your hand on the planchette too, Georgie, for I have always
believed that you have mediumistic powers. Concentrate first: that means
you must put everything else out of your head. Let us sit for a minute
or two with our eyes shut. Breathe deeply. Relax. Sometimes slight
hypnosis comes on, so the book says, which means you get very drowsy.”
There was silence for a few moments: Georgie wanted to tell Daisy about
Lucia’s letter, but that would certainly interrupt Abfou, so he drew up
a chair, and after laying his hand on Daisy’s, closed his eyes and
breathed deeply. And then suddenly the most extraordinary things began
to happen.
The planchette trembled: it vibrated like a kettle on the boil, and
began to skate about the paper. He had no idea what its antic motions
meant: he only knew that it was writing something, Arabic perhaps, but
something firm and decided. It seemed to him that so far from aiding its
movement, he almost, to be on the safe side, checked it. He opened his
eyes, for it was impossible not to want to watch this manifestation of
psychic force, and also he wished to be sure (though he had no real
suspicions on the subject) that his collaborator was not, to put it
coarsely, pushing. Exactly the same train of thought was passing in
Daisy’s mind, and she opened her eyes too.
“Georgie, my hand is positively being dragged about,” she said
excitedly. “If anything, I try to resist.”
“Mine too; so do I,” said Georgie. “It’s too wonderful. Do you suppose
it’s Arabic still?”
The pencil gave a great dash, and stopped.
“It is Arabic,” said Daisy as she examined the message, “at least,
there’s heaps of English too.”
Public-domain text, read in full here on John Shaqi.
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