Humorous stories; London (England) -- Fiction; Lucia (Fictitious character) -- Fiction; Women -- England -- Fiction
The question of funds therefore in order to convert the tithe-barn into
a museum was instantly gone into. Robert professed himself perfectly
ready to equip the tithe-barn with all necessary furniture and
decoration, if he might collar the whole of the receipts, but his
willingness to take all financial responsibilities made the committee
think that they would like to have a share in them, since so shrewd a
business man clearly saw the probability of making something out of it.
Up till then, the sordid question of money had not really occurred to
them: there was to be a museum which would make them busy again, and the
committee was to run it. They were quite willing to devote practically
the whole of their time to it, for Riseholme was one of those happy
places where the proverb that Time is money was a flat fallacy, for
nobody had ever earned a penny with it. But since Robert’s financial
judgment argued that the Museum would be a profitable investment, the
committee naturally wished to have a hand in it, and the three members
each subscribed fifty pounds, and co-opted Robert to join the board and
supply the rest. Profits (if any) would be divided up between the
members of the committee in proportion to their subscriptions. The
financial Robert would see to all that, and the rest of them could turn
their attention to the provision of curiosities.
There was evidently to be no lack of them, for everyone in Riseholme had
stores of miscellaneous antiquities and “specimens” of various kinds
which encumbered their houses and required a deal of dusting, but which
couldn’t quite be thrown away. A very few striking objects were only
lent: among these were Daisy’s box of coins, and Mrs. Antrobus’s fibula,
but the most of them, like Georgie’s glass and Colonel Boucher’s pieces
of Samian ware, were fervently bestowed. Objects of all sorts poured in:
the greater portion of a spinning-wheel, an Elizabethan pestle and
mortar, no end of Roman tiles, a large wooden post unhesitatingly called
a whipping-post, some indecipherable documents on parchment with seals
attached, belonging to the vicar, an ordnance map of the district,
numerous collections of fossils and of carved stones from the site of
the abbey, ancient quilts, a baby’s cradle, worm-eaten enough to be
Anglo-Saxon, queer-shaped bottles, a tiger-ware jug, fire-irons too
ponderous for use, and (by special vote of the Parish Council) the
stocks which had hitherto stood at the edge of the pond on the green.
All Riseholme was busy again, for fossils had to be sorted out (it was
early realized that even a museum could have too many ammonites),
curtains had to be stitched for the windows, labels to be written,
Samian ware to be pieced together, cases arranged, a catalogue
prepared. The period of flatness consequent on Lucia’s desertion had
passed off, and what had certainly added zest to industry was the
thought that Lucia had nothing to do with the Museum. When next she
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account