Luxury--Gluttony: Two of the Seven Cardinal SinsSue, Eugène
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Luxury--Gluttony: Two of the Seven Cardinal Sins
Sue, Eugène
French fiction -- Translations into English
"Monsieur, what shall I answer this lady?" asked the valet, astonished
at the prolonged silence of his master.
"One minute, you rascal; wait my orders," replied Pascal, abruptly.
"Come, keep calm, keep calm," thought he to himself. "Excitement now
would lose all, would paralyse my plans. It is a terrible part to play,
but having such a fine game at hand, I believe I would blow my brains
out with rage if, through awkwardness now, I should lose it."
After another silence, during which he succeeded in mastering his
agitation, he said to himself:
"I am calm now. Let her come, I can play a sure game." Then he said
aloud to his valet:
"Show the lady in."
The servant went out and soon returned to open the door and announce,
"Madame the Marquise de Miranda."
Madeleine, contrary to her custom, was dressed, as she had said to the
prince, no longer like a grandmother, but with a dainty elegance which
rendered her beauty still more irresistible. A Pamela hat of rice straw,
ornamented with ears of corn mingled with corn-flowers, relieved and
revealed her face and neck; a new gown of white muslin, also strewn with
corn-flowers, delineated the outlines of her incomparable figure, the
finished type of refined elegance, the voluptuous flexibility
characteristic of Mexican Creoles, while her gauze scarf rose and fell
in gentle undulations with the tranquil breathing of her marble bosom.
CHAPTER XXI.
Pascal stood a moment dazzled, fascinated.
He beheld Madeleine a thousand times more beautiful, more attractive,
more interesting than the day before. And, although a fine judge, as he
had said to the prince, although he had enjoyed and abused all those
treasures of beauty, grace, and youth which misery renders tributary to
wealth, never in his life had he dreamed of such a creature as
Madeleine; and strange, or rather natural to this brutalised man,
deprived by satiety of all pleasures, he evoked the same moment the
virginal figure of Antonine by the side of the marquise. For him, Venus
Aphrodite was perfected by Hebe.
Madeleine, taking advantage of the involuntary silence of Pascal, said
in a dry, haughty tone, and without making the slightest allusion to the
scene of the day before, notwithstanding the words added to her name on
the card:
"Monsieur, I have a letter of credit on you: here it is. I wished to see
you in order to arrange some business matters."
This short and disdainful accent disconcerted Pascal; he expected some
explanation of the scene of the day before, if not an excuse for it, so
he said, stammering:
"What, madame, you come here--only--to learn about this letter of
credit?"
"For this letter first, then for something else."
"I suspected it," said Pascal to himself, with a light sigh of relief,
"this letter of credit was only a pretext. It is a good sign."
Then he said aloud:
Public-domain text, read in full here on John Shaqi.
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