Great Britain -- History -- Charles II, 1660-1685 -- Fiction
VIII
Set a thief to catch a thief, and a woman to unravel the character of
a woman. Such was the aphorism my Lord Gore had bestowed in confidence
upon Hortense when he had bequeathed Anne Purcell’s daughter to the
Italian’s cleverness. If there were anything beneath that sullen and
lethargic surface, Hortense would discover it, and perhaps resurrect the
girl’s instinct to laugh and live.
Few guests met in the painted salon that summer evening: three girls of
Barbara’s age, an elderly knight with sharp, humorous eyes, a
sentimental widow, and Hortense. The windows were open toward the park,
where dull, rain-ladened clouds shut out the stars. A few shaded candles
in sconces along the walls made a glimmering twilight in the room, and
in one corner a little brazen lamp burned perfumed oil, so that the air
was richly scented.
A girl stood singing beside the harpsichord when Anne Purcell and her
daughter entered the salon. Hortense herself was accompanying the song,
while those who listened were like figures in a picture, each with a
shadowy individuality of its own. There was an atmosphere of opulence
and sensitive refinement about the scene. The breeze of youth had been
banished and the salon made sacred to musing maturity.
Hortense excelled in the art of welcoming a friend. Even the flowing
lines of her figure could put forth an intoxicating graciousness that
fascinated women as well as men. She suggested infinite sympathy, yet
infinite shrewdness. Strangers might have mistrusted her if she had
shown only the one or the other.
My Lady Anne looked commonplace beside Hortense. Her smile had a crude
affectation of good-will that did not completely conceal latent distrust
and jealousy. The Englishwoman was there with a purpose, and a purpose
is often one of the most difficult things on earth to smother. It was in
the daughter that Hortense discovered a vacant unapproachableness, a
callous apathy that piqued her interest. The girl was not gauche,
despite her silence. It was as though her individuality refused to
mingle with the individuality of others.
Hortense disposed of my lady by setting her to chat with the grim old
gentleman in the big periwig, whose interest in life gravitated between
the latest piece of learned gossip he might pick up at the meetings of
the Royal Society and the lighter, more glittering gossip of Whitehall.
My lady could at least satisfy him in the lighter vein. The three girls
were given a pack of cards and a table in a corner; the sentimental
widow—some new book. Hortense herself drew Barbara aside toward one of
the windows, as though she was the one person whom she chose to actively
amuse.
Public-domain text, read in full here on John Shaqi.
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