They shout from one to another their outlandish names, prolonging them
indefinitely in the now silent night, in the reverberations of the damp
air after the great summer rain.
At length they are all collected and united again, these tiny personages
with narrow eyes and no brains, and we return to Diou-djen-dji all wet
through.
For the third time, we have Yves sleeping beside us under our blue tent.
There is a great noise shortly after midnight in the apartment beneath
us: our landlord's family have returned from a pilgrimage to a far-
distant temple of the Goddess of Grace. (Although Madame Prune is a
Shintoist, she reveres this deity, who, scandal says, watched over her
youth.) A moment after, Mademoiselle Oyouki bursts into our room like a
rocket, bringing, on a charming little tray, sweetmeats which have been
blessed and bought at the gates of the temple yonder, on purpose for us,
and which we must positively eat at once, before the virtue is gone out
of them. Hardly rousing ourselves, we absorb these little edibles
flavored with sugar and pepper, and return a great many sleepy thanks.
Yves sleeps quietly on this occasion, without dealing any blows to the
floor or the panels with either fists or feet. He has hung his watch on
one of the hands of our gilded idol in order to be more sure of seeing
the hour at any time of the night, by the light of the sacred lamps. He
gets up betimes in the morning, asking: "Well, did I behave properly?"
and dresses in haste, preoccupied about duty and the roll-call.
Outside, no doubt, it is daylight already: through the tiny holes which
time has pierced in our wooden panels, threads of morning light penetrate
our chamber, and in the atmosphere of our room where night still lingers,
they trace vague white rays. Soon, when the sun shall have risen, these
rays will lengthen and become beautifully golden. The cocks and the
cicalas make themselves heard, and now Madame Prune will begin her mystic
drone.
Nevertheless, out of politeness for Yves-San, Chrysantheme lights a
lantern and escorts him to the foot of the dark staircase. I even fancy
that, on parting, I hear a kiss exchanged. In Japan this is of no
consequence, I know; it is very usual, and quite admissible; no matter
where one goes, in houses one enters for the first time, one is quite at
liberty to kiss any mousme who may be present, without any notice being
taken of it. But with regard to Chrysantheme, Yves is in a delicate
position, and he ought to understand it better. I begin to feel uneasy
about the hours they have so often spent together alone; and I make up my
mind that this very day I will not play the spy upon them, but speak
frankly to Yves, and make a clean breast of it.
Public-domain text, read in full here on John Shaqi.
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