Suddenly from below, clac! clac! two dry hands are clapped together; it
is Madame Prune's warning to the Great Spirit. And immediately after her
prayer breaks forth, soars upward in a shrill nasal falsetto, like a
morning alarum when the hour for waking has come, the mechanical noise of
a spring let go and running down.
".....The richest woman in the world! Cleansed from all my sins,
O Ama-Terace-Omi-Kami! in the river of Kamo."
And this extraordinary bleating, hardly human, scatters and changes my
ideas, which were very nearly clear at the moment I awoke.
CHAPTER XLIX
RUMORS OF DEPARTURE
September 15th.
Rumor of departure is in the air. Since yesterday there has been vague
talk of our being sent to China, to the Gulf of Pekin; one of those
rumors which spread, no one knows how, from one end of the ship to the
other, two or three days before the official orders arrive, and which
usually turn out tolerably correct. What will the last act of my little
Japanese comedy be? the denouement, the separation? Will there be any
touch of sadness on the part of my mousme, or on my own, just a
tightening of the heartstrings at the moment of our final farewell?
At this moment I can imagine nothing of the sort. And then the adieus
of Yves and Chrysantheme, what will they be? This question preoccupies
me more than all.
Nothing very definite has been learned as yet, but it is certain that,
one way or another, our stay in Japan is drawing to a close. It is this,
perhaps, which disposes me this evening to look more kindly on my
surroundings. It is about six o'clock, after a day spent on duty, when
I reach Diou-djen-dji. The evening sun, low in the sky, on the point of
setting, pours into my room, and floods it with rays of red gold,
lighting up the Buddhas and the great sheaves of quaintly arranged
flowers in the antique vases. Here are assembled five or six little
dolls, my neighbors, amusing themselves by dancing to the sound of
Chrysantheme's guitar. And this evening I experienced a real charm in
feeling that this dwelling and the woman who leads the dance are mine.
On the whole, I have perhaps been unjust to this country; it seems to me
that my eyes are at last opened to see it in its true light, that all my
senses are undergoing a strange and abrupt transition. I suddenly have a
better perception and appreciation of all the infinity of dainty trifles
among which I live; of the fragile and studied grace of their forms, the
oddity of their drawings, the refined choice of their colors.
I stretch myself upon the white mats; Chrysantheme, always eagerly
attentive, brings me my pillow of serpent's-skin; and the smiling
mousmes, with the interrupted rhythm of a while ago still running in
their heads, move around me with measured steps.
Public-domain text, read in full here on John Shaqi.
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