Madame Roland: A Biographical StudyTarbell, Ida M. (Ida Minerva)
History
Madame Roland: A Biographical Study
Tarbell, Ida M. (Ida Minerva)
France -- History -- Revolution, 1789-1799; Roland, Madame, 1754-1793
As his sacrifice of art to commerce shows, M. Phlipon was not a
particularly high-minded man. He was, in fact, an excellent type of what
the small _bourgeoisie_ of Paris was, and is to-day,—good-natured and
vain, thrifty and selfish, slightly common in his tastes, not always
agreeable to live with when crossed in his wishes, but on the whole a
respectable man, devoted to his family, with too great regard for what
his neighbors would say of him to do anything flagrantly vulgar, and too
good a heart to be continually disagreeable.
His vanity made him fond of display, but it kept him in good company. If
he condescended to trade, he never condescended to traders, but
carefully preserved the relations with artists, painters, and sculptors
which his rank as an engraver brought him. “He was not exactly a
high-minded man,” said his daughter once, “but he had much of what one
calls honor. He would have willingly taken more for a thing than it was
worth, but he would have killed himself rather than not to have paid the
price of what he had bought.” What M. Phlipon lacked in dignity of
character and elevation of sentiments, Madame Phlipon supplied—a serene,
high-minded woman, knowing no other life than that of her family,
ambitious for nothing but duty. She is a perfect model for the gracious
housewife in _La mère laborieuse_ and _Le Bénédicité_ of Chardin, and
her face might well have served as the original for the exquisite pastel
of the Louvre, Chardin’s wife.
Madame Phlipon’s marriage had been, as are the majority of her class,
one of reason. If she had suffered from a lack of delicacy on the part
of her husband, had never known deep happiness or real companionship,
she had, at least, been loved by the rather ordinary man whom her
superiority impressed, and her home had been pleasant and peaceful.
The Phlipons led a typical _bourgeois_ life. The little home in the
second story of the house on the Quai de l’Horloge contained both shop
and living apartments. As in Paris to-day the business and domestic life
were closely dovetailed. Madame Phlipon minded the work and received
customers when her husband was out, helped with the accounts, and
usually had at her table one or more of the apprentices. Their busy
every-day life was varied in the simple and charming fashion of which
the French have the secret, leisurely promenades on Sunday, to
Saint-Cloud, Meudon, Vincennes, an hour now and then in the Luxembourg
or Tuileries gardens, an occasional evening at the theatre. As the
families of both Monsieur and Madame Phlipon were of the Parisian
_bourgeoisie_ they had many relatives scattered about in the commercial
parts of the city, and much animation and variety were added to their
lives by the constant informal visiting they did among them.
Public-domain text, read in full here on John Shaqi.
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