Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
But you are a woman; we are no longer living in the days of the
Metamorphoses;--Adonis and Hermaphroditus are dead,--and such a degree
of beauty cannot now be attained by a man;--for, since heroes and gods
are no more, women alone retain in their marble bodies, as in a Grecian
temple, the priceless gift of shape anathematized by Christ, and
prove that earth has no reason to envy heaven; you worthily represent
the first divinity in the world, the purest symbol of the eternal
essence--beauty.
As soon as I saw you, something was torn away within me, a veil fell, a
door opened, I felt that I was flooded inwardly with waves of light; I
realized that my life was before me, and that I had finally reached the
decisive crossroads.--The obscure, lost portions of the half-radiant
face I was seeking to distinguish in the shadow were suddenly
illuminated; the dark tints in which the background of the picture
was enveloped were flooded with a soft light; a delicate rosy flush
stole over the ultramarine, slightly tinged with green, of the middle
distances; the trees, which formed only confused silhouettes, began
to stand out more clearly; the dew-laden flowers made bright spots on
the dull green of the turf. I saw the scarlet-breasted bullfinch at
the end of an elder branch; the little white rabbit, pink-eyed and
with ears erect, putting out his head between two wisps of wild thyme
and passing his paw over his nose, and the timid stag coming to drink
at the spring and gaze at his branching antlers in the water.--On the
morning when the sun of love rose upon my life, everything was changed;
where shapes barely outlined and rendered terrible or unnatural by
their uncertainty, once vacillated before my eyes, were now graceful
groups of trees in blossom, hillsides forming charming amphitheatres,
silver palaces, with their terraces covered with urns and statues,
bathing their feet in the azure lakes and apparently swimming between
two skies; the shape that I took in the obscurity for a gigantic dragon
with wings armed with talons, crawling on the darkness with his scaly
paws, was simply a felucca with silken sails and oars painted and
gilded, filled with women and musicians; and the horrible crab which I
fancied that I saw waving his claws and nippers over my head was only
a fan-shaped palm whose long, narrow leaves moved gently in the night
wind.--My chimeras and my errors have vanished:--I love.
Public-domain text, read in full here on John Shaqi.
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