Mademoiselle de Maupin, Volume 2 (of 2)Gautier, Théophile
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Mademoiselle de Maupin, Volume 2 (of 2)
Gautier, Théophile
French fiction -- Translations into English
The free and easy life of the country is such a delightful and
convenient thing! the trees, even though the foliage is not quite so
dense in the autumn, afford such delicious shade for the reveries
of nascent love! it is difficult to resist the lovely natural
surroundings! the birds sing so languorously, the flowers give forth
such intoxicating odors, the turf is so soft and so golden on the
hillsides! Solitude inspires countless voluptuous thoughts which the
hurly-burly of the world would have scattered here and there, and the
instinctive impulse of two creatures who hear their hearts beat in
the silence of a deserted country-side, is to entwine their arms more
tightly and to cleave to each other as if they were in truth the only
living creatures in the world.
I took a walk this morning; the air was soft and damp, not the
slightest particle of blue sky could be seen, and yet it was neither
dark nor threatening. Two or three different shades of pearl-gray,
harmoniously blended, enveloped the sky from horizon to horizon, and
against that vaporous background fleecy clouds floated slowly like
great pieces of wadding; they were impelled by the dying breath of
a light breeze, hardly strong enough to move the tops of the most
restless aspens: patches of mist rose between the tall chestnuts and
indicated the course of the stream in the distance. When the breeze
took breath once more, a few dry red leaves blew excitedly about and
ran along the path before me like swarms of timid sparrows; then as
the breeze fell, they subsided a few steps farther on: a true image
of those winds that one mistakes for birds flying freely with wings
outspread, but which are, after all, naught but leaves withered by
the morning frost, which the slightest passing breeze takes for its
plaything and its sport.
Distant points were so blurred by vapors, and the fringes of the
horizon tapered away so on the edges, that it was hardly possible to
tell where the sky began and the earth ended: a little darker gray,
a little denser haze, indicated vaguely the separation and dividing
line between the two. Through that curtain, the willows with their
ashen heads seemed more like spectral trees than real trees; the
irregularities of the hills resembled rather the undulations of a
mass of heaped-up clouds than the lay of solid ground. The outlines
of objects trembled as you looked at them, and a sort of gray woof of
indescribable fineness, like a spider's web, stretched between the
foreground of the landscape and the receding depths of the atmosphere;
in shaded places the lines stood out much more clearly, and allowed the
meshes of the net to be seen; where the light was brighter, the streak
of mist was imperceptible and lost itself in a diffused light. There
was in the air something drowsy, something warm and soft and dull that
predisposed one strangely to melancholy.
Public-domain text, read in full here on John Shaqi.
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