Magic Shadows: The Story of the Origin of Motion PicturesQuigley, Martin
History
Magic Shadows: The Story of the Origin of Motion Pictures
Quigley, Martin
Lantern projection; Motion pictures -- History
1853 Franz von Uchatius, an Austrian army officer, develops a
motion picture projector which combines the Plateau-Stampfer
disks and the magic lantern of Kircher.
1854 Sequin, a Frenchman, obtains a patent on an improved
projector.
1860 Claudet, Duboscq, Shaw and others experiment with the
to magic disk and the stereoscope in an effort to combine the
1865 illusion of motion and the illusion of depth.
1860 Thomas Hooman Dumont draws up on paper a motion
picture camera. Other attempts are also made but the
apparatus is not yet ready.
Pierre Hubert Desvignes obtains a French patent on a system
which suggests the use of an endless band and an
apparatus for looking at stereoscopic views and small
objects in motion. He also used models instead of designs
or photographs in his efforts to recapture motion.
1861 William Thomas Shaw announces the Stereostrope which
mounted eight stereoscopic pictures on an octagonal drum.
These were viewed in an ordinary Wheatstone Stereoscope.
“The effect of solidarity is superadded so that the object
is perceived as if in motion and with an appearance of
relief as in nature.”
Coleman Sellers in the United States patents the Kinematoscope
which is a toy using a paddle wheel action to show
“posed” motion pictures.
1864 Louis Ducos du Hauron patents a motion picture
photography-projection system, but there are no adequate
materials available to make it practical.
1865 James Laing announces the Motorscope--another solid-plus-motion
device akin to that of Shaw.
About this time the following also showed similar devices:
Léon Foucauld, French astronomer, the Stereofantascope
or Bioscope; Cook and Bonelli, the Photobioscope; Humbert
de Moland, Reville, Almeida, Seely and Lee.
A. Molteni, optician, of Paris, invents the Choreutoscope
Tournant which uses a Maltese Cross movement, a type
which was of considerable importance in the development
of intermittent movement in projectors.
1866 Lionel Smith Beale, a specialist in the use of the microscope,
perfects the Molteni turning wheel.
1868 John Wesley Hyatt of New York invents celluloid while
seeking a substitute for ivory for billiard balls. (Prior to
this time Alexander Parkes in England worked on a product
somewhat similar to celluloid but the process was
different.)
Langlois and Angiers patent an improved Thaumatrope
which uses microscope views seen through a lens system.
Linnett develops the Kineograph or little book which,
when thumbed rapidly, flashes successive pictures before
the eye, creating an illusion of motion.
Public-domain text, read in full here on John Shaqi.
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