Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature — John Shaqi
Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The individual has been emancipated. No longer satisfied with the
place assigned to him, no longer content to follow the plough across
his father's field, the young man released from serfdom, freed from
villenage, for the first time sees the whole world lie open before
him. Everything seems to have become suddenly possible; the word
impossible has lost its meaning now that the drumstick in the soldier's
hand may, by a series of rapid changes, turn into a marshal's baton or
even a sceptre. The powers of the individual, however, have not kept
pace with his possibilities; of the hundred thousand to whom the road
is suddenly thrown open, only one can reach the desired goal, and who
is to assure the individual that he is that one? Inordinate desire is
necessarily accompanied by inordinate melancholy. Nor is it every one,
without exception, that can take part in the great wild race. Those who
for some reason or other feel themselves bound up with the old order
of things, and the finer, less thick-skinned natures, the men who are
rather dreamers than workers, find that they are excluded; they stand
aside or emigrate, they are thrown back upon themselves, and their
self-communings increase their self-centredness and thereby augment
their capacity for suffering. It is the most highly developed organisms
which suffer most.
Add to this, that the collapse of the old order releases the individual
from a wholesome pressure which has kept him within certain social
bounds and prevented his thinking himself of too much importance. Now
self-idolatry is possible, wherever the power of self-restraint is not
as strong as the control formerly exercised by society. And at the same
time that everything has become possible, it seems as if everything had
become permissible. All the power which the individual had given up,
had voluntarily transferred to his God or his king, he now reclaims.
Just as he no longer raises his hat to the gilded chariot for whose
gilding he himself has paid, so he no longer bows to any prohibition
whose human origin he can plainly discern. To all such he has an answer
ready, an answer which is a question, a terrible question, one that
is the beginning of all human knowledge and all human freedom, the
question "Why?" It is plain that even these aberrations of fancy upon
which we have just dwelt, these excursions into the domain of unnatural
passions and unnatural crimes, are only a symptom; they are one of the
mistakes made in the great, momentous struggle of the individual to
assert himself.
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