Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Thought has been emancipated. The individual, released from tutelage,
no longer feels himself part of a whole; he feels himself to be a
little world which reflects, on a diminished scale, the whole of
the great world. So many individuals, so many mirrors, in each of
which the universe is reflected. But though thought has gradually
acquired courage to understand, not fragmentarily, but in this
universally comprehensive manner, its capacity has not grown along
with its courage; humanity stumbles on in the dark as before. To
the old questions, Why is man born? Why does he live? To what end
does it all lead? the answer, as far as it can be made out, seems
unsatisfying, discouraging, a pessimistic answer. In times gone by
men had been born into a distinct, unquestioned creed, which provided
them with answers believed to have been supernaturally communicated,
full of comfort and promise. In the eighteenth century, this creed
having been abandoned, they were born into an almost equally
dogmatic, at any rate equally inspiring, belief in the saving power
of civilisation and enlightenment; they lived on the promises of the
happiness and harmony which should spread over the earth when the
doctrines of their philosophers were universally accepted. In the
beginning of the nineteenth century this ground of confidence also was
undermined. History seemed to teach that this path also led nowhere,
and the confusion in men's minds was like the confusion of an army
which receives contradictory orders in the midst of a battle. The
standpoint even of those who try to turn thought back into the old
religious grooves is not the standpoint of the old religion, for they
themselves were but a few years ago either Voltaireans or adherents of
Rousseau's deism; their new piety has been painfully reasoned out and
struggled for. This explains the cribbed, constrained character of the
intellectual movement among the writers who usher in the new century.
In a very striking image Alfred de Musset has expressed the impression
they produce. "Eternity," he says, "is like an eyrie from which the
centuries fly forth like young eaglets to skim through the universe
each in his turn. Now it is our century which has come to the edge of
the nest. It stands there glaring, but its wings have been clipped, and
it awaits its death gazing into the infinite space out into which it is
incapable of flying."
[1] Mémoires d'Outre Tombe, ii. 190; iii. 78.
[2] Les Natchez. Chateaubriand, _Oeuvres complètes_, vol. v. pp.
353-463. In his _Mémoires_ the author has, in expressing his own
sentiments, unconsciously repeated one of these sentences. It has
already been quoted.
V
OBERMANN
A striking contrast to René, egotistical and imperious as he is despite
his weariness of life, is presented by the next remarkable variant of
the type of the age.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account