Main Currents in Nineteenth Century Literature - 1. The Emigrant LiteratureBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 1. The Emigrant Literature
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
_Obermann_, a work produced in the same year as René, was also written
in exile. Its author, Étienne Pierre de Sénancour, was born in Paris in
1770, but emigrated in the early days of the Revolution to Switzerland,
where a long illness and various other circumstances compelled him to
remain. In his quality of émigré he was banished from France, and could
only now and again venture secretly over its frontiers to visit his
mother. Under the Consulate he returned to Paris without permission,
and for the first three years lived the life of an absolute hermit in
order not to attract the attention of the authorities. He afterwards
gained a scanty livelihood by writing for Liberal newspapers and
editing historical handbooks. His was a lonely, quiet life--the life of
a deeply-feeling stoic.
Sénancour's first work, the title of which, _Meditations on the
Original Nature of Man_, proclaims the pupil of Rousseau, appeared in
1799. His psychological romance, _Obermann_, was published early in
1804. This book created no particular stir on its first appearance,
but at a later period it passed through many editions; successive
generations perused its pages, and in France it was long classed with
_Werther_ and _Ossian_. It was studied by Nodier and Ballanche, and was
Sainte-Beuve's favourite work, he and George Sand doing much to bring
it into public notice.
_Obermann_ in France, like _Werther_ in Germany, has been in the hands
of many a suicide; it was constantly read by Victor Hugo's unhappy
friend, Rabbe, known to the public through Hugo's life and poems,
and a certain clique of young men, Bastide, Sautelet (who committed
suicide), Ampère, Stapfer, made a regular cult of the book. As René is
the elect, Obermann is the passed by. Some of the ruling spirits of
the century recognised themselves in René, Obermann was understood and
appreciated by highly-gifted, deeply-agitated spirits of the finest
temper. The book begins as follows: "In these letters are to be found
the utterances of a spirit that feels, not of a spirit that acts."
Here we have the kernel of the matter. Why does he not act? Because
he is unhappy. Why is he unhappy? Because he is too sensitive, too
impressionable. He is all heart, and the heart does not work.
Public-domain text, read in full here on John Shaqi.
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