Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It was Lessing who laid the foundations of the intellectual life of
modern Germany. Clear of thought, strong of will, indefatigably active,
he was a reformer in every matter in which he interested himself.
With perfect consciousness of what he was doing, he enlightened and
educated the German mind. He was the embodiment of manly independence
and vigorous, tireless militancy. His personal ideal, as it is revealed
in his life and writings, was proud independence in combination with a
wise love of his fellow-men, which overcame all differences of creed.
Hence, solitary as he stood in his own day, his Ego became a source of
light. He was the "Prometheus of German prose." His great achievement
was that of freeing German culture for all time from the swaddling
bands of theology, as Luther had freed it from those of Catholicism.
His life and his criticism were action, and to him the essence of
poetry too was action. All his characters are instinct with dramatic
passion. In opposition to the theological doctrine of punishment and
reward, he maintained that to do right for the sake of doing right
is the highest morality. And for him the history of the world became
the history of the education of the human race. To a certain extent
the word "education" is employed by him merely as a concession to his
readers, who, he knew, could not conceive of any development without a
divine educator; but, all the same, the idea of natural development is
not an idea with which he was familiar. To him, history is the record
of "enlightenment." The Ego to him is not nature, but pure mind.
In reality, all that was best in Lessing was entirely unsympathetic
to the new group of Romanticists; they had less in common with
him than with any other of the great German authors, Schiller not
excepted. Nevertheless, it was natural enough that they should
refuse to acknowledge any connection between Lessing and those of
his disciples (men such as Nicolai, Engel, Garve, and Schütz), who
were, from the "enlightenment" standpoint, their bitter enemies and
ruthless persecutors. This was done by Friedrich Schlegel in an essay
in which, while praising the power and the width of Lessing's grasp,
he lays chief stress upon everything in him that is irregular, boldly
revolutionary, unsystematic, and paradoxical, dwells on his bellicose
wit, and draws attention to everything that can be construed into
cynicism. The Romanticists could not possibly claim a champion of
reason, pure and simple, as their forerunner, hence they attempted
to characterise the nutritive element in Lessing's works as mere
seasoning, as the salt which preserves from corruption.
Public-domain text, read in full here on John Shaqi.
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