Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany — John Shaqi
Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Goethe was the fulfilment of all that Herder had promised. To him man
was not merely theoretically the last link in nature's chain; the men
in his works were themselves natures; and in his scientific research
he discerned with the eye of genius the universal laws of evolution.
His own Ego was a microcosm, and produced the effect of such on the
most discerning of his younger contemporaries. "Goethe and life are
one," says Rahel. So profound was his insight into nature, so entirely
was he a living protest against every supernatural belief, that he
did what in him lay to deprive genius of its character of apparent
incomprehensibility and contrariety to reason, by explaining (in his
autobiography, _Wahrheit und Dichtung_) his own genius, the most
profound and universal of the age, as a natural product developed by
circumstances--thereby creating the type of literary criticism to which
the Romanticists were strongly opposed.
From Goethe the young generation derived their theory of the rights
and the importance of the great, free personality. He had always lived
his own life, and had always lived it fully and freely. Without making
any attack whatever on the existing conditions of society, he had
remoulded, according to his own requirements, the social relations in
which he found himself placed. He becomes the soul of the youthful
and joyous court of Weimar, with the audacity of youth and genius
drawing every one with him into a whirl of gaiety--fêtes, picnics,
skating expeditions, masquerades--animated by a wild joy in nature,
which is now "lightened," now "darkened" by love affairs of a more or
less dubious character. Jean Paul writes to a friend that he can only
describe the morals of Weimar to him by word of mouth. When we hear
that even skating was a scandal to the worthy Philistines of that town,
we are not surprised by old Wieland's ill-natured remark, that the
circle in question appeared to him to be aiming at "brutalising animal
nature." Thus it was that the sweet, refined coquette, Frau von Stein,
became Goethe's muse for ten whole years, the original of Leonore and
Iphigenia; and later he created a still greater scandal by taking into
his house Christiane Vulpius (the young girl whose presence had become
a necessity to him, and who, in spite of her faults, never embittered
his life by making any demands upon him), and living with her for
eighteen years before obtaining the sanction of the Church to their
union.
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