Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany — John Shaqi
Main Currents in Nineteenth Century Literature - 2. The Romantic School in GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 2. The Romantic School in Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Utterly un-Greek, wholly Romantic, is the love which Hyperion cherishes
for his Diotima. It is the same deep and tragic feeling which bound
Hölderlin, the poor tutor, to the mother of his pupils, Frau Susette
Gontard, and determined his fate. No Greek ever spoke of the woman
he loved with the religious adoration which Hölderlin expresses for
his "fair Grecian." "Dear friend, there is a being upon this earth
in whom my spirit can and will repose for untold centuries, and then
still feel how puerile, face to face with nature, all our thought and
understanding is." And exactly the same Romantic, Petrarchian note is
struck by Hyperion when he speaks of Diotima. Diotima is "the one thing
desired by Hyperion's soul, the perfection which we imagine to exist
beyond the stars." She is beauty itself, the incarnation of the ideal.
Love is to him religion, and his religion is love of beauty. Beauty is
the highest, the absolute ideal; it belongs, as a conception, to the
world of reason, and as a symbol, to the world of imagination. From
his æsthetic point of view, Hölderlin does not perceive that boundary
line drawn by Kant between the domains of reason and imagination. His
theory, a species of poetic--philosophic ecstasy, having points in
common with both Schiller's Hellenism and Schelling's transcendental
idealism, is Romantic before the days of Romanticism.
Germinating Romanticism is also to be traced in the gleam of Christian
feeling which tinges his half-modern pantheism. He had been originally
destined for the Church, and had suffered much from the severe
discipline of the monastery where he was educated. In spite, however,
of the many evidences of a pious disposition which we find in his
letters, he was a pagan in his poems. He disliked priests, and steadily
withstood his family's desire that he should become one. In his
_Empedokles_ we come upon the following significant reply of the hero
to the priest Hermokrates:--
"Du weisst es ja, ich hab es dir bedeutet,
Ich kenne dich und deine schlimme Zunft.
Und lange Avar's ein Räthsel mir, wie euch
In ihrem Runde duldet die Natur.
Ach, als ich noch ein Knabe war, da mied
Euch Allverderber schon mein frommes Herz,
Das unbestechbar, innig liebend hing
An Sonn' und Aether und den Boten allen
Der grossen ferngeahndeten Natur;
Denn wohl hab ich's gefühlt in meiner Furcht,
Dass ihr des Herzens freie Götterliebe
Bereden möchtet zu gemeinem Dienst,
Und dass ich's treiben sollte so, wie ihr.
Hinweg! ich kann vor mir den Mann nicht sehn,
Der Göttliches wie ein Gewerbe treibt,
Sein Angesicht ist falsch und kalt und todt,
Wie seine Götter sind."[1]
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