Main Currents in Nineteenth Century Literature - 3. The Reaction in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 3. The Reaction in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
It seemed at first as if the principle of authority had received new
and powerful support from the re-engrafting of the traditions of
Christianity and monarchy upon literature. But it soon became evident
that religious and literary tradition could not thrive together.
The former at first took refuge under the wings, in the very bosom
of the latter, but the inherent antagonism soon revealed itself,
and the principle of authority in its literary shape was set aside,
nay, overthrown by the new spirit, which had all the appearance of
sincerely desiring to uphold the practical, that is to say, the
politico-religious principle of authority.
We have now to see how the practical principle of authority came to
share the fate of the theoretical, the literary principle.[1]
[1] Victor Hugo, _Odes et Ballades; Cromwell_; A. de Vigny, _Poésies
complètes_; Émile Deschamps, _Poésies_; Antony Deschamps, _Poésies_;
Raynouard, _Les Templiers_.
XII
DISSOLUTION OF THE PRACTICAL PRINCIPLE OF AUTHORITY
On a dark, foggy day in February 1854, a little company of friends
followed the remains of one of France's most notable men to a Paris
cemetery. The procession made its way between two ranks of soldiers,
who were there not to show honour, but to preserve order, to the
"common trench." Such had been the will of the deceased. When the earth
had been thrown on the coffin, the grave-digger asked: "Is there no
cross?" "No," was the answer.
No monument shows where that dead man was laid, though his name was
known throughout Europe, and there is no cross upon his grave, though
he had been an abbé and a priest, in fact for a long period the most
notable champion of the church. It was Lamennais who by his own wish
was buried thus.
[Illustration: LAMENNAIS]
Félicité de la Mennais (it was not till late in life that he gave his
name the more democratic form) was born in 1782 at St. Malo; so he,
like Chateaubriand, is a Breton; and the obstinacy of his race was
innate in his character. The Breton authors constitute what may be
called the Vendée of literature; they continue with words the fight
which their fathers fought with material weapons.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account