Main Currents in Nineteenth Century Literature - 4. Naturalism in England — John Shaqi
Main Currents in Nineteenth Century Literature - 4. Naturalism in EnglandBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 4. Naturalism in England
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
During the summer of 1797, the talk of the inhabitants of a village
on the coast of Somersetshire ran much on the subject of two young
men who had lately taken up their residence there, and were daily to
be seen walking together, absorbed in eager, endless discussions, in
which foreign words and foreign names, unintelligible to the natives,
were of frequent occurrence. The elder of the two was twenty-seven. The
expression of his face was profoundly serious, his manner dignified,
almost solemn; he was not unlike a young Methodist parson, and had a
monotonous and fatiguing voice. His companion, who was a year or two
younger, and whose words, accompanied by much violent gesture, flowed
in an unceasing stream, had a large round head (the shape of which
indicated remarkable gifts), flatfish features, and deep hazel eyes,
as full of confused depression as of inspiration. The whole figure
and air might be called flabby and irresolute, expressive of weakness
with a curious possibility of strength. The youth's voice was musical,
and his eloquence seemed to entrance even his reserved auditor and
friend. Who and what were these two young men, who desired acquaintance
with no one in the place or neighbourhood? This was the question the
inhabitants put to themselves. What could they be discussing so eagerly
but politics? and if so, what could they be but conspirators, possibly
Jacobins hatching treasonous plots?
The rumour soon spread that the elder of the two friends, Mr.
Wordsworth, had been in France at the beginning of the Revolution,
and had amply shared the enthusiasm of the day for social reform;
and that the younger, Mr. Coleridge, had distinguished himself as a
keen democrat and Unitarian, had written a drama called _The Fall
of Robespierre_, and two political pamphlets entitled _Conciones ad
populum_, and had even formed the plan of founding, with others holding
the same opinions, a socialistic community in the backwoods of America.
No further confirmation of the suspicions entertained was required.
A kind neighbour communicated with the authorities in London, and a
detective with a Bardolph nose promptly appeared on the scenes, and,
himself unobserved, followed the two gentlemen closely. Seeing them
with papers in their hands, he made no doubt that they were drawing
maps of the neighbourhood. He occasionally addressed them, and he hid
himself for hours at a time behind a sandbank at the seaside, which was
their favourite seat. According to Coleridge's account of the affair,
which is, however, not entirely to be relied on, he at first thought
that the two conspirators were aware of their danger, for he often
heard them talk of one Spy-nosy, which he was inclined to interpret as
a reference to himself; but he was speedily convinced that it was the
name of a man who had made a book and lived long ago. Their talk ran
most upon books, and they were perpetually desiring each other to look
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