Main Currents in Nineteenth Century Literature - 5. The Romantic School in France — John Shaqi
Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
"What is that law which calls itself constitution and bears on its brow
the name and seal of equality? Is it the agrarian law? No, it is the
contract of sale, drawn up by intriguers and partisans who have desired
to enrich themselves, which delivers a people into the hands of the
rich."
"Liberty is not such a very rare treasure; it is to be found in the
hand of the strong and the purse of the rich. You are master over my
money. I am master of your life. Give me the money and you may keep
your life."
Jean Sbogar is, we observe, not a common but a philosophic highwayman.
The most natural thing about him is that he wears gold earrings, and
this realistic trait Madame Nodier had almost succeeded in eliminating.
Nodier allowed himself to be, as a rule, guided by his wife's taste
and wishes. But when he once in a way felt inclined to rebel, and, to
excuse himself, pled his submission on all other occasions, Madame
Nodier always said: "Don't forget that you refused to sacrifice Jean
Sbogar's earrings to me." This is declared to have been the one and
only literary disagreement which ever occurred between the couple.
Men had forgotten the existence of such a book as _Jean Sbogar_, when
Napoleon's memoirs came out and informed them that he had had it with
him at St. Helena, and had read it with interest. The little novel
belongs to Nodier's transition period. It was written before he had
developed his characteristic individuality. This he did about the
time of the formation of the Romantic School proper. He stood then,
so to speak, at the open door of literature, and bade that school
welcome. His review of Victor Hugo's boyish romance, _Han d'Islande_,
is a little masterpiece of criticism, sympathetic and acute. It was
the beginning of the warm friendship between the two authors. The
appreciation of Hugo is so marvellously correct that in reading it
to-day one can hardly believe that its writer was unacquainted with all
the master's later works. It required no small amount of cleverness to
foresee them in _Han d'Islande_.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account