Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 5. The Romantic School in France
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The stories which Nodier now began to write possess a charm and
attraction unique in French literature. They are distinguished by
a mimosa-like delicacy of feeling. They treat chiefly of the first
stirring of passion in the hearts of youths and maidens; the fresh
dew of the morning of life is upon them; they remind us of the woods
in spring. It is a well-known fact that there is some difficulty in
finding French books of any literary value which are fit for young
girls' reading; but such tales as Nodier's _Thérèse Aubert_, or the
collection of stories entitled _Souvenirs de Jeunesse_, meet both
requirements. The only risk run would be the risk of imbuing the
young readers with fanciful platonic ideas; for these tales are as
sentimental as they are chaste; the love which they describe may be a
friendship with little of the sexual element in it, nevertheless it
completely engrosses the little human being. It owes its charm to the
fact that as yet no experience has made these minds suspicious and
that no false or true pride prevents these hearts from revealing their
emotions. As all the tales are founded on reality, on memories of their
author's youth, the terrors of the Revolution form the dark background
of them all, and they all end with a parting or the death of the loved
one.
A childlike delicacy of feeling is the fundamental characteristic of
Nodier's character. To the end of his days he remained a big, unworldly
child, with a girlish shrinking not only from the impure, but even from
the grown-up standpoint.
Above this groundwork of naïve freshness of feeling there rises, as
second story, a wildly exuberant imagination. Nodier possessed such a
gift of extravagant invention that one can hardly help believing that
he must have been subject to visions and hallucinations; he had the
dangerous quality peculiar to a certain type of poetic temperament,
that of scarcely being able to speak the truth. No one, not even
he himself, ever knew for a certainty whether what he was relating
was truth or fiction. Jest is the mean between the two. Nodier was
considered one of the most entertaining of Frenchmen, and he was not
the least offended when he was told by his friends that they did not
believe a word of what he was telling them.
Public-domain text, read in full here on John Shaqi.
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