Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
The questions to which any work provides us with answers are such
as the following: How far-sighted was the author? How deeply did he
penetrate into the life of his time? How characteristically did he feel
joy, or grief, or sadness, or love, or enthusiasm, or cynicism? We
say: So great was the horror, or disgust, inspired in him by stupidity
or wickedness; so sharply or wittily did he revenge himself and us on
contemptible stupidity or worthlessness. From the best we receive an
impression of high-mindedness or greatness, of love of truth or love
of beauty; in the case of inferior men we suffer from deficiency in
understanding, in depth of feeling, in sense of beauty, or in strength
of character.
Now the literary group under consideration includes no creative minds
of the highest, and only one of very high rank, namely Heine. It
bequeathed to posterity little that was tangibly great. It denied, it
emancipated, it cleared up, it let in fresh air. It is strong through
its doubt, its hatred of thraldom, its individualism.
In Germany, especially in North Germany, it has never stood so low in
general estimation as at the present day. Those writers who, about the
year 1830, made war upon all the forms of tyranny which weighed upon
the German-speaking peoples, have in our days been overtaken by an
unpopularity which shows no signs of decrease.
The explanation is simple. The younger generation of the Germany of
to-day, which has the unification of the Empire behind it--that
unification which to the men of 1830 was a fantastic hope--and which
has seen Germany put forth its united strength in prompt, universally
successful action, that generation takes little interest in the old
dreamy speculations as to how the unification was to be brought about,
and is bored by these old writers' everlasting ridicule of German
sleepiness and inactivity, German pedantry and theorising, now that
results have shown how practical and how resolute the flouted Germany
could be when an opportunity was offered her.
More especially since the Franco-German war, the writers who half a
century ago were always praising France at the expense of Germany,
or maintaining that liberty would bring to Germany those blessings
which actually came to her through Bismarck, have been placed under a
sort of ban. They are looked on as bad patriots and foolish prophets.
Only a small minority are able to perceive how powerfully that very
indignation, that scorn for the contemptible existing conditions,
helped to bring on the change and improvement that followed. And still
fewer in number are those who read in the literature of the Thirties
and Forties a living reproach for betrayed or forgotten ideals, and
who, as they turn over the leaves of these old books, ask themselves
sadly what, in the new order of things, has become of the best that
these men fought for.
VII
BÖRNE
Public-domain text, read in full here on John Shaqi.
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