Main Currents in Nineteenth Century Literature - 6. Young Germany — John Shaqi
Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
Amongst the Jena professors a certain Fries had most influence among
the students, the same Fries who, in the preface to Hegel's _Philosophy
of Right_, is loaded with invective as being the representative of
shallowness. He was a violent Liberal, who had said that Hegel's new
theories did not grow in the gardens of science, but in the hotbeds
of servility; and under his fostering care the endeavour after unity
and abstract liberty spread amongst the youth of the universities. The
banner of the Burschen was black, red, and gold, said to have been
suggested by the colours of the uniform of Lützow's Corps, black, with
red facings and gold buttons.
The Reformation commemoration-festival in 1817 first drew general
attention to the gymnastic and student societies (Turner and Burschen).
It had suggested the idea of a meeting at the Wartburg of delegates
from all the German student unions. In a pamphlet published on the
occasion of the festival by Karl Sand, he names as the three enemies
of German nationalism from time immemorial, Roman imperialism,
monasticism, and militarism. On the 18th of October, five hundred
students, headed by several professors, marched up from Eisenach to
the Wartburg, where they dined in the Knights' Hall, placed at their
disposal by the liberal Karl August. After the repast the gymnasts gave
a display of their agility for the benefit of the astonished natives.
In the evening great bonfires were lighted, and then Jahn proposed
that, following the example of Luther, who had burned the Papal Bull,
they should burn what the enemies of the good cause had written.
Massmann feelingly expressed his approval of the proposal, and bundles
of old printed paper were produced, on which were inscribed the titles
of the detested books written by the enemies of the gymnasts. There
were three by the notorious Schmalz, the first Rector of the University
of Berlin, the Police Statute Book of the equally notorious Prussian
Minister of Justice, Herr von Kamptz, the _Code Napoléon_, Kotzebue's
_Deutsche Geschichte_, Haller's _Restauration_, &c, &c. The last things
thrown into the flames were a Uhlan's corset, a queue, and a corporal's
baton.[4]
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