Main Currents in Nineteenth Century Literature - 6. Young GermanyBrandes, Georg
History
Main Currents in Nineteenth Century Literature - 6. Young Germany
Brandes, Georg
Literature, Modern -- 19th century -- History and criticism; Naturalism in literature; Romanticism
When Fries in high-flown language bade the students farewell, he
particularly impressed on them that they had been in the country of
German liberty, liberty of action and of thought: "Here there is no
standing army," &c.; an expression rendered more absurd by the fact
that the army of Weimar consisted of a number of worthy artisans, who
at times, in consideration of a small payment, appeared as hussars,
with high riding-boots and spurs, but without horses. In Hegel's
preface to the _Philosophy of Right_ he remarks, _à propos_ of this
speech, that Fries was not ashamed, on the occasion of a notorious
public demonstration, to say of the constitution of the State that
it was from below, from the people, that life would come, if true
public spirit prevailed; that only by the sacred chain of friendship
could a community, a society, be inviolably united. Hegel calls this
the very hall-mark of shallowness, this melting down of the elaborate
architecture of a rationally designed state into "a broth of feeling,
friendship, and enthusiasm."
Massmann published an account of the festival, in which he described
how night still brooded over Germany, but proclaimed that the blood-red
dawn was about to break.
Metternich succeeded in persuading both Prince Hardenberg and the
Emperor Alexander to bring pressure to bear on Karl August in the
matter of this festival, and ever afterwards Karl August's nickname at
the court of Vienna was "der Altbursche."
Amongst the books burnt in effigy at the Wartburg were some of
Kotzebue's. Kotzebue was publishing at this time in Weimar his
_Litterarisches Wochenblatt_, a journal which flattered Russia and made
merry over the youth of Germany. Little as Goethe generally sympathised
with youth, he rejoiced with them, for once, at the insult offered to
his old enemy.[5]
As Councillor of the Russian Legation, Kotzebue from time to time sent
communications to St. Petersburg, and was consequently supposed to be
a Russian spy. It is probable that his communications were no more
than harmless reports on literary matters, but, be this as it may, in
the eyes of the students, he was Beelzebub--Beltze- or Kotze-bue. At
the University of Giessen at this time, under the leadership of three
brothers Follen, fanatical Republicans, a species of Radicalism had
developed, which gloated over the idea of the assassination of tyrants
and their instruments. In the students' songs such expressions occurred
as: "Freiheitsmesser gezückt!--Hurrah! den Dolch durch die Kehle
gedrückt." (Draw freedom's knife from its sheath!--Hurrah! Thrust
the poniard into the throat.) Karl Follen, the leading spirit, had
completely under his influence that young, narrow-minded mystic, Karl
Sand, who had the image of Jesus constantly before his eyes, and who,
on the 23rd of March 1819, drove his poniard into old Kotzebue's neck.
On a strip of paper which he left lying beside the corpse, was, amongst
other writing, this line by Follen: "You, too, may be a Christ."
Public-domain text, read in full here on John Shaqi.
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