What the hell was happening at the Miami ride, anyway? He could follow
it online, run the three-d flythroughs of the ride as it stood, even
download and print his own versions of the ride objects, but none of
that told him what it *felt like* to get on the ride, to be in its
clanking bowels, surrounded by other riders, pointing and marveling
and laughing at the scenes and motion.
Rides were things that you had to ride to understand. Describing a
ride was like talking about a movie -- so abstract and remote. Like
talking about sex versus having sex.
Sammy loved rides. Or he used to, anyway. So much more than films, so
much more than books -- so immersive and human, and the whole crowd
thing, all the other people waiting to ride it or just getting off
it. It had started with coasters -- doesn't every kid love coasters?
-- but he'd ended up a connoisseur, a gourmand who loved every species
of ride, from thrill-rides to monorails, carousels to dark-rides.
There'd been a time when he'd ridden every ride in the park once a
week, and every ride in every nearby park once a month. That had been
years before. Now he sat in an office and made important decisions and
he was lucky if he made it onto a ride once a week.
Not that it mattered anymore. He'd screwed up so bad that it was only
a matter of time until he ended up on the bread-line. Or in jail.
He realized he was staring glumly at the demolition, and pulled
himself upright, sucked in a few breaths, mentally kicked himself in
the ass and told himself to stop feeling sorry for himself.
A young woman pried loose another resin skull finial and added it to
the pile, placed another sheet of aerogel on top of it.
People loved these little tchotchkes. They had a relationship with
Disney Parks that made them want to come again and again, to own a
piece of the place. They came for visits and then they visited in
their hearts and they came back to bring their hearts home. It was an
extremely profitable dynamic.
That's what those ride people up in the Wal-Mart were making their hay
on -- anyone could replicate the ride in their back-yard. You didn't
have to fly from Madison to Orlando to have a little refresher
experience. It was right there, at the end of the road.
If only there was some way to put his rides, his park, right there in
the riders' homes, in their literal back-yards. Being able to look at
the webcams and take a three-d fly-through was one thing, but it
wasn't the physical, visceral experience of being there.
The maintenance crew had finished all the trim and now they were going
after the props and animatronics. They never used to sell these off,
because manufacturing the guts of a robot was too finicky to do any
more than you had to -- it was far better to repurpose them, like the
America Sings geese that had all their skin removed and found a new
home as smart-talking robots in the pre-show for the old Star Tours.
Public-domain text, read in full here on John Shaqi.
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