"There you go then! The iPods were too big to lose like that, but just
*look at them*." The iPod's chrome was scratched to the point of being
fogged, like the mirror in a gas-station toilet. The screen was almost
unreadable for all the scratches. "They had scratch-proof materials
and hard plastics back then. They *chose* to build these things out of
Saran Wrap and tin-foil so that by the time they doubled in capacity
next year, you'd have already worn yours out and wouldn't feel bad
about junking them.
"So I'm building a tape-loading seashell robot toaster out of
discarded obsolete technology because the world is full of capacious,
capable, disposable junk and it cries out to be used again. It's a
potlatch: I have so much material and computational wealth that I can
afford to waste it on frivolous junk. I think that's why the
collectors buy it, anyway."
"That brings us back to the question of your relationship with
Kodacell. They want to do what, exactly, with you?"
"Well, we've been playing with some mass-production techniques, the
three-d printer and so on. When Kettlebelly called me, he said that he
wanted to see about using the scanner and so on to make a lot of these
things, at a low price-point. It's pretty perverse when you think
about it: using modern technology to build replicas of obsolete
technology rescued from the dump, when these replicas are bound to end
up back here at the dump!" He laughed. He had nice laugh-lines around
his eyes. "Anyway, it's something that Lester and I had talked about
for a long time, but never really got around to. Too much like
retail. It's bad enough dealing with a couple dozen collectors who'll
pay ten grand for a sculpture: who wants to deal with ten thousand
customers who'll go a dollar each for the same thing?"
"But you figure that this Tjan character will handle all the customer
stuff?"
"That's the idea: he'll run the business side, we'll get more time to
hack; everyone gets paid. Kodacell's got some micro-sized marketing
agencies, specialized PR firms, creative shippers, all kinds of little
three-person outfits that they've promised to hook us up with. Tjan
interfaces with them, we do our thing, enrich the shareholders, get
stock ourselves. It's supposed to be all upside. Hell, if it doesn't
work we can just walk away and find another dump and go back into the
collectors' market."
He picked up his half-finished shell and swung a lamp with a
magnifying lens built into it over his workspace. "Hey, just a sec,
OK? I've just figured out what I was doing wrong before." He took up a
little tweezers and a plastic rod and probed for a moment, then daubed
some solder down inside the shell's guts. He tweezed a wire to a
contact and the shell made a motorized sound, a peg sticking out of it
began to move rhythmically.
Public-domain text, read in full here on John Shaqi.
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