"Well, I've been thinking a lot about roommate-ware, 'cause I know
that Tjan's just crazy for that stuff. I've been handicapped by the
fact that you guys are such excellent roomies, so I have to think back
to my college days to remember what a bad roommate is like, where the
friction is. Mostly, it comes down to resource contention, though: I
wanna cook, but your dishes are in the sink; I wanna do laundry but
your boxers are in the dryer; I wanna watch TV, but your crap is all
over the living room sofa."
Living upstairs from the guys gave her fresh insight into how the
Kodacell philosophy would work out. Kettlewell was really big on
communal living, putting these people into each other's pockets like
the old-time geek houses of pizza-eating hackers, getting that
in-the-trenches camaraderie. It had taken a weekend to put the most
precious stuff in her California house into storage and then turn over
the keys to a realtor who'd sort out leasing it for her. The monthly
check from the realtor left more than enough for her to pay the rent
in Florida and then some, and once the UPS man dropped off the five
boxes of personal effects she'd chosen, she was practically at home.
She sat alone over the guys' apartments in the evenings, windows open
so that their muffled conversations could drift in and form the
soundtrack as she wrote her columns. It made her feel curiously with,
but not of, their movement -- a reasonable proxy for journalistic
objectivity in this age of relativism.
"Resource contention readily decomposes into a bunch of smaller
problems, with distinctive solutions. Take dishes: every dishwasher
should be designed with a 'clean' and a 'dirty' compartment --
basically, two logical dishwashers. You take clean dishes out of the
clean side, use them, and put them into the dirty side. When the dirty
side is full, the clean side is empty, so you cycle the dishwasher and
the clean side becomes dirty and vice-versa. I had some sketches for
designs that would make this happen, but it didn't feel right: making
dishwashers is too industrial for us. I either like making big chunks
of art or little silver things you can carry in your pocket."
Public-domain text, read in full here on John Shaqi.
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