Makers and Romance of Alabama History — John Shaqi
Makers and Romance of Alabama HistoryRiley, B. F. (Benjamin Franklin)
History
Makers and Romance of Alabama History
Riley, B. F. (Benjamin Franklin)
Alabama -- Biography; Alabama -- History
In the retreat of the rural regions, where the first lesson learned alike
by members of both sexes is that of independence and self reliance, and
where is straightway resisted anyone's interference with liberty, private
affairs, and "belongings," is the basis of a series of productions in his
little periodical, which themselves would have given Hooper fame. The
intrusion of a polite census taker into the cabin homes of the backwoods,
where statistical information was sought about poultry, pigs, soap, cows
and "garden truck," and where the rustic dames resented such intrusion
with broomsticks and pokers, afforded to this man of genius an opportunity
to hit off some rare humor, and in response to his nature he did so. The
scene, the actors, involving the polite efforts of the official to
explain, and the garrulous replies of the doughty dames, embracing
throughout the dialogue and the dialect, are depicted with the hand of the
master and the skill of the artist.
With its columns weekly laden with merriment so rare, the once obscure
"Banner" became the most popular journal in the state, and far beyond, for
it was sought throughout the south and the comical stories were copied far
and wide. Encouraged by the popular reception given these effusions,
Hooper addressed himself to a more pretentious venture by the preparation
of his "Simon Suggs." He had the basis of the character to be delineated
in a certain rude rustic of waggish proclivities who hung about the
village of Dadeville, and was well known throughout Tallapoosa and the
adjoining counties. With him as a nucleus, Hooper in the exercise of his
genius, constructed his "Simon Suggs."
That which gives to the production vitality is its unquestioned fidelity
to a phase of life prevailing in those early days, while it is underlaid
by principles which revealed actual conditions. The portraiture is that of
an illiterate, but cunning backwoodsman, bent on getting the most out of
life, no matter how, keen, foxy, double-faced and double-tongued who plied
his vocation in the perpetration of fraud by cant and hypocrisy, pretended
piety, and church membership.
Public-domain text, read in full here on John Shaqi.
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