Makers and Romance of Alabama HistoryRiley, B. F. (Benjamin Franklin)
History
Makers and Romance of Alabama History
Riley, B. F. (Benjamin Franklin)
Alabama -- Biography; Alabama -- History
Dynamic humor, occasioned by ludicrous dilemma, unconjectured condition,
ridiculous episode and grotesque situation follow each other in rapid
succession, and the effect on the reader is explosions of laughter.
"Simon" appears under varied conditions, and is sometimes closely hemmed,
in his artful maneuvers, but he is always provided with a loophole of
escape, due to his long experience and practice. His various assumptions
of different characters under shifting conditions, but remaining the true
"Simon" still among them all, and using his obscure vernacular always,
gives a kaleidoscopic change to the divers situations, and rescues the
stories from monotony. The skilled manipulation with which the whole is
wrought is the work of a remarkable genius. Nor is there break or
suspension, neither lapse nor padding, but the scenes move and shift with
fresh exhibition throughout, and the convulsive effect is irresistible.
"Simon Suggs" was published by the Appletons of New York and for years
spread with wonderful effect throughout the country, resulting in the sale
of many thousands of copies. From the notoriety produced Mr. Hooper shrank
with girlish sensitiveness.
In December, 1856, at a meeting of the Southern Commercial Convention,
held at Savannah, Hooper was present as a delegate from Alabama. The daily
press of the city announced his arrival with no little flourish as one of
the distinguished members of the body, and as the well known author of
"Simon Suggs." Doubtless this served to swell the crowd when the
convention met at night in the Atheneum. On the assembly of the delegates,
and after the usual formality of reception speeches and replies, and while
a committee was out arranging for permanent organization, Judge John A.
Jones, himself a humorous writer, the author of "Major Jones' Courtship,"
arose and moved that "Simon Suggs" be called on to give an account of
himself for the last two years. The presiding officer, who had evidently
never heard before of "Simon Suggs," arose with great dignity and said,
"If Mr. Suggs is present we should be glad to have him comply with the
expressed wish of the convention by coming to the platform." This was
attended by a craning of necks and looks of curiosity in all directions,
but "Mr. Suggs" appeared not. Hooper was seated in the pit beside Gen.
Albert Pike of Arkansas, wearing a green overcoat, and was overwhelmed
with embarrassment by the unexpected demonstration. He had the good sense
to keep quiet, for his humor could more freely exude from the nib of his
pen than from the point of his tongue. While to most others this would
have been flattery, to Hooper it was an occasion of painfulness. He
deprecated a notoriety won at so cheap a price, and by what he regarded a
means so unworthy as that of a work like "Simon Suggs." He sincerely felt
that depreciation rather than exaltation was his, as the author of such a
work, but in this he underestimated the power of his undisputed genius.
Public-domain text, read in full here on John Shaqi.
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