Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
They are usually invulnerable, and are gifted with miraculous powers,
such as that of transforming themselves, and of returning to (or
recalling others to) life; in fact they have, in every way, less of
the man about them and more of the god. Thus it is that the following
description of the dress of an old-time Raja falls easily into line
with what would otherwise appear the objectless jargon which still
constitutes the preamble of many a Malay prince's letters, but which
can yet be hardly regarded as mere rhetoric, since it has a deep
meaning for those who read it:--
"He wore the trousers called beraduwanggi, miraculously made without
letting in pieces; hundreds of mirrors encircled his waist, thousands
encircled his legs, they were sprinkled all about his body, and larger
ones followed the seams."
Then his waistband (kain ikat pinggang) was of "flowered cloth,
twenty-five cubits in length, or thirty if the fringe be included;
thrice a day did it change its colours--in the morning transparent as
dew, at mid-day of the colour of lembayong, [59] and in the evening
of the hue of oil."
Next came his coat. It was "of reddish purple velvet, thrice brilliant
the lustre of its surface, seven times powerful the strength of
the dye; the dyer after making it sailed the world for three years,
but the dye still clung to the palms of his hands."
His dagger was "a straight blade of one piece which spontaneously
screwed itself into the haft. The grooves, called retak mayat, [60]
started from the base of the blade, the damask called pamur janji
appeared half-way up, and the damask called lam jilallah at the
point; the damask alif was there parallel with the edge, and where
the damasking ended the steel was white. No ordinary metal was the
steel, it was what was over after making the bolt of God's Ka'abah
(at Meccah). It had been forged by the son of God's prophet, Adam,
smelted in the palm of his hand, fashioned with the end of his finger,
and coloured with the juice of flowers in a Chinese furnace. Its deadly
qualities came down to it from the sky, and if cleaned (with acid)
at the source of a river, the fish at the embouchure came floating
up dead.
"The sword that he wore was called lang pengonggong, [61] 'the
successful swooper,' lit. the 'kite carrying off its prey.'
"The next article described is his turban, which, among the Malays,
is a square handkerchief folded and knotted round the head."
"He next took his royal handkerchief, knotting it so that it stood
up with the ends projecting; one of them he called dendam ta' sudah
(endless love): it was purposely unfinished; if it were finished the
end of the world would come. It had been woven in no ordinary way,
but had been the work of his mother from her youth. Wearing it he was
provided with all the love-compelling secrets. (The names of a number
of charms to excite passion are given, but they cannot be explained
in the compass of a note)." [62]
Public-domain text, read in full here on John Shaqi.
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