Malay Magic: Being an introduction to the folklore and popular religion of the Malay PeninsulaSkeat, Walter William
Religion
Malay Magic: Being an introduction to the folklore and popular religion of the Malay Peninsula
Skeat, Walter William
Magic -- Malay Peninsula; Malays (Asian people) -- Folklore; Malays (Asian people) -- Social life and customs
One of the forms of lustration by water, however, appears rather to
take the place of a sub-rite, forming an integral portion of a large
class of ceremonies, such as those relating to Building, Fishing,
Agriculture, Marriage, and so forth. Hence it will be necessary to
give a general sketch of its leading features in the present context.
The ceremony of lustration by water, when it takes the form of the
sub-rite referred to, is called "Tepong Tawar," which properly means
"the Neutralising Rice-flour (Water)," "neutralising" being used
almost in a chemical sense, i.e. in the sense of "sterilising" the
active element of poisons, or of destroying the active potentialities
of evil spirits.
The rite itself consists in the application [142] of a thin
paste made by mixing rice-flour with water: this is taken up in a
brush or "bouquet" of leaves and applied to the objects which the
"neutralisation" is intended to protect or neutralise, whether they
be the posts of a house, the projecting ends of a boat's ribs (tajok
p'rahu), the seaward posts of fishing-stakes (puchi kelong), or the
forehead and back of the hands of the bride and bridegroom.
The brush must be first fumigated with incense, then dipped into the
bowl which contains the rice-water, and shaken out almost dry, for if
the water runs down the object to which it is applied it is held to
"portend tears," whereas if it spreads equally all round (benchar)
it is lucky. The composition of the brush, which is considered to be
of the highest importance, appears to vary, but only within certain
limits. It almost invariably, in Selangor, consists of a selection of
leaves from the following plants, which are made up in small bouquets
of five, seven, or nine leaves each, and bound round with ribu-ribu (a
kind of small creeper), or a string of shredded tree bark (daun t'rap).
The following is a list of the leaves generally used:--
1. Leaves of the grass called sambau dara, which is said to be the
symbol of a "settled soul" (`alamat menetapkan semangat), and which
hence always forms the core of the bouquet. [143]
2. The leaves of the selaguri, which appears to be "a shrub or
small tree with yellow flowers (Clerodendron disparifolium, Bl.,
Verbenaceæ; or Sida rhombifolia, L., Malvaceæ, a common small shrub
in open country)," [144] which is described as one of the first of
shrubs (kayu asal), and is said to be used as a "reminder of origin"
(peringatan asal).
3. The leaves of the pulut-pulut (the exact identity of which I have
not yet ascertained, but which may be the Urena lobata, L., one of
the Malvaceae), which is said to be used for the same purpose as
the preceding.
4. The leaves of the gandarusa (Insticia gandarusa, L., Acanthaceæ),
a plant described as "often cultivated and half-wild--a shrub used
in medicine."
Public-domain text, read in full here on John Shaqi.
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