He looked at his watch. It was a little after four. He had wired them at the camp to expect him in the morning. They would be looking out for him. By continuing his course he and Malvina could be there about breakfast-time. He could introduce her to the colonel: "Allow me, Colonel Goodyer, the fairy Malvina." It was either that or dropping Malvina somewhere between Weymouth and Farnborough. He decided, without much consideration, that this latter course would be preferable. But where? What was he to do with her? There was Aunt Emily. Hadn't she said something about wanting a French governess for Georgina? True, Malvina's French was a trifle old-fashioned in form, but her accent was charming. And as for salary--- There presented itself the thought of Uncle Felix and the three elder boys. Instinctively he felt that Malvina would not be Aunt Emily's idea. His father, had the dear old gentleman been alive, would have been a safe refuge. They had always understood one another, he and his father. But his mother! He was not at all sure. He visualised the scene: the drawing-room at Chester Terrace. His mother's soft, rustling entrance. Her affectionate but well-bred greeting. And then the disconcerting silence with which she would await his explanation of Malvina. The fact that she was a fairy he would probably omit to mention. Faced by his mother's gold-rimmed pince-nez, he did not see himself insisting upon that detail: "A young lady I happened to find asleep on a moor in Brittany. And seeing it was a fine night, and there being just room in the machine. And she--I mean I--well, here we are." There would follow such a painful silence, and then the raising of the delicately arched eyebrows: "You mean, my dear lad, that you have allowed this"--there would be a slight hesitation here--"this young person to leave her home, her people, her friends and relations in Brittany, in order to attach herself to you. May I ask in what capacity?"