Man, Past and PresentKeane, A. H. (Augustus Henry)
History
Man, Past and Present
Keane, A. H. (Augustus Henry)
Anthropology; Ethnology
Common both to Sudanese and Bantus, especially about the western
borderlands (Upper Guinea, Cameruns, etc.) is the "drum-language," which
affords a striking illustration of the Negro's musical faculty. "Two or
three drums are usually used together, each producing a different note,
and they are played either with the fingers or with two sticks. The
lookers-on generally beat time by clapping the hands. To a European,
whose ear and mind are untrained for this special faculty, the rhythm
of a drum expresses nothing beyond a repetition of the same note at
different intervals of time; but to a native it expresses much more. To
him the drum can and does speak, the sounds produced from it forming
words, and the whole measure or rhythm a sentence. In this way, when
company drums are being played at an _ehsadu_ [palaver], they are made
to express and convey to the bystanders a variety of meanings. In one
measure they abuse the men of another company, stigmatising them as
fools and cowards; then the rhythm changes, and the gallant deeds of
their own company are extolled. All this, and much more, is conveyed by
the beating of drums, and the native ear and mind, trained to select and
interpret each beat, is never at fault. The language of drums is as well
understood as that which they use in their daily life. Each chief has
his own call or motto, sounded by a particular beat of his drums. Those
of Amankwa Tia, the Ashanti general who fought against us in the war of
1873-4, used to say _P[)i]r[)i]h[=u]h_, hasten. Similar mottoes are also
expressed by means of horns, and an entire stranger in the locality can
at once translate the rhythm into words[142]."
Similar contrasts and analogies will receive due illustration in the
detailed account here following of the several more representative
Sudanese groups.
WEST SUDANESE.
_Wolofs._ Throughout its middle and lower course the Senegal river,
which takes its name from the Zenaga Berbers, forms the ethnical
"divide" between the Hamites and the Sudanese Negroes. The latter are
here represented by the Wolofs, who with the kindred _Jolofs_ and
_Serers_ occupy an extensive territory between the Senegal and the
Gambia rivers. Whether the term "Wolof" means "Talkers," as if they
alone were gifted with the faculty of speech, or "Blacks" in contrast to
the neighbouring "Red" Fulahs, both interpretations are fully justified
by these Senegambians, at once the very blackest and amongst the most
garrulous tribes in the whole of Africa. The colour is called "ebony,"
and they are commonly spoken of as "Blacks of the Black." They are also
very tall even for Negroes, and the Serers especially may claim to be
"the Patagonians of the Old World," men six feet six inches high and
proportionately muscular being far from rare in the coast districts
about St Louis and Dakar.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account