Arthur Inglewood, who had sunk into the background of this scene of
folly, started and stared at the newcomer with his short-sighted eyes
screwed up and his high colour slightly heightened.
“Why, I believe you’re Smith,” he cried with his fresh, almost boyish
voice; and then after an instant’s stare, “and yet I’m not sure.”
“I have a card, I think,” said the unknown, with baffling solemnity—“a
card with my real name, my titles, offices, and true purpose on this
earth.”
He drew out slowly from an upper waistcoat pocket a scarlet card-case,
and as slowly produced a very large card. Even in the instant of its
production, they fancied it was of a queer shape, unlike the cards of
ordinary gentlemen. But it was there only for an instant; for as it
passed from his fingers to Arthur’s, one or another slipped his hold.
The strident, tearing gale in that garden carried away the stranger’s
card to join the wild waste paper of the universe; and that great
western wind shook the whole house and passed.
Chapter II
The Luggage of an Optimist
We all remember the fairy tales of science in our infancy, which played
with the supposition that large animals could jump in the proportion of
small ones. If an elephant were as strong as a grasshopper, he could (I
suppose) spring clean out of the Zoological Gardens and alight
trumpeting upon Primrose Hill. If a whale could leap from the sea like
a trout, perhaps men might look up and see one soaring above Yarmouth
like the winged island of Laputa. Such natural energy, though sublime,
might certainly be inconvenient, and much of this inconvenience
attended the gaiety and good intentions of the man in green. He was too
large for everything, because he was lively as well as large. By a
fortunate physical provision, most very substantial creatures are also
reposeful; and middle-class boarding-houses in the lesser parts of
London are not built for a man as big as a bull and excitable as a
kitten.
Public-domain text, read in full here on John Shaqi.
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