“I’ll get the bag,” said Smith, speaking for the first time in hours;
his voice sounded remote and rude, like the voice of a statue.
Those who had so long danced and disputed round his immobility were
left breathless by his precipitance. With a run and spring he was out
of the garden into the street; with a spring and one quivering kick he
was actually on the roof of the cab. The cabman happened to be standing
by the horse’s head, having just removed its emptied nose-bag. Smith
seemed for an instant to be rolling about on the cab’s back in the
embraces of his Gladstone bag. The next instant, however, he had
rolled, as if by a royal luck, into the high seat behind, and with a
shriek of piercing and appalling suddenness had sent the horse flying
and scampering down the street.
His evanescence was so violent and swift, that this time it was all the
other people who were turned into garden statues. Mr. Moses Gould,
however, being ill-adapted both physically and morally for the purposes
of permanent sculpture, came to life some time before the rest, and,
turning to Moon, remarked, like a man starting chattily with a stranger
on an omnibus, “Tile loose, eh? Cab loose anyhow.” There followed a
fatal silence; and then Dr. Warner said, with a sneer like a club of
stone,—
“This is what comes of the Court of Beacon, Mr. Moon. You have let
loose a maniac on the whole metropolis.”
Beacon House stood, as has been said, at the end of a long crescent of
continuous houses. The little garden that shut it in ran out into a
sharp point like a green cape pushed out into the sea of two streets.
Smith and his cab shot up one side of the triangle, and certainly most
of those standing inside of it never expected to see him again. At the
apex, however, he turned the horse sharply round and drove with equal
violence up the other side of the garden, visible to all those in the
group. With a common impulse the little crowd ran across the lawn as if
to stop him, but they soon had reason to duck and recoil. Even as he
vanished up street for the second time, he let the big yellow bag fly
from his hand, so that it fell in the centre of the garden, scattering
the company like a bomb, and nearly damaging Dr. Warner’s hat for the
third time. Long before they had collected themselves, the cab had shot
away with a shriek that went into a whisper.
“Well,” said Michael Moon, with a queer note in his voice; “you may as
well all go inside anyhow. We’ve got two relics of Mr. Smith at least;
his fiancee and his trunk.”
“Why do you want us to go inside?” asked Arthur Inglewood, in whose red
brow and rough brown hair botheration seemed to have reached its limit.
“I want the rest to go in,” said Michael in a clear voice, “because I
want the whole of this garden in which to talk to you.”
Public-domain text, read in full here on John Shaqi.
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