The sun was shining on the neck and shoulders of the brown girl in the
boat. The movements of her arms made dancing lights on her skin. The
skin was brown, a golden coppery brown. Her boat slipped about a bend
of the river and disappeared. There was a moment of silence and then,
from back among the trees, a voice took up a new song in which the
other blacks joined--
“Doubting Thomas, doubting Thomas,
Doubting Thomas, doubt no more.
And before I’d be a slave,
I’d be buried in my grave,
And go home to my father and be saved.”
John Webster stood with blinking eyes watching the men unload boards
at his factory door. The little voices within him were saying strange
joyous things. One could not be just a manufacturer of washing machines
in a Wisconsin town. In spite of oneself one became, at odd moments,
something else too. One became a part of something as broad as the land
in which one lived. One went about in a little shop in a town. The
shop was in an obscure place, by a railroad track and beside a shallow
stream, but it was also a part of some vast thing no one had as yet
begun to understand. He himself was a man standing, clad in ordinary
clothes, but within his clothes, and within his body too there was
something, well perhaps not vast in itself, but vaguely indefinitely
connected with some vast thing. It was odd he had never thought of that
before. Had he thought of it? There were the men before him unloading
the timbers. They touched the timbers with their hands. A kind of
union was made between them and the black men who had cut the timbers
and floated them down a stream to a sawmill in some far-away Southern
place. One went about all day and every day touching things other men
had touched. There was something wanted, a consciousness of the thing
touched. A consciousness of the significance of things and people.
“And before I’d be a slave,
I’d be buried in my grave,
And go home to my father and be saved.”
Public-domain text, read in full here on John Shaqi.
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