Many-Storied Mountains: The Life of Glacier National ParkBeaumont, Greg
History
Many-Storied Mountains: The Life of Glacier National Park
Beaumont, Greg
Glacier National Park (Mont.); Natural history -- Montana -- Glacier National Park (Mont.)
I like to begin with St. Mary, a lake the whitecaps love to run. From
the far passes the several winds gather and collect, arranging long
lines of white waves for the race downlake. Past the purple scree of
Mahtotopa and Little Chief they go, white as the headdress of
Going-to-the-Sun Mountain, colliding, collapsing along the promontory
snares about the Narrows. Onward they press, spreading out and setting
sail for the straight rush to the final shore where a line of
cottonwoods sings with a sound like applause.
Across the lake the timbered ridge starkly contrasts the finger of
prairie that claims the north shore. This is a flower-glad place, a
meeting-ground for mountain and prairie plants. Along the road the
grassland holds the conifers back, allowing only scattered clumps of
aspens.
Finally, at Rising Sun, beneath the shadow of Goat Mountain, the prairie
ends and wind-seasoned Douglas-firs announce the coming forest.
There’s excitement now, with the prairie heat gone, the wind scent raw
with fir and high meadows, honed by waterfall and tall, dank rock. Our
mountain thirst is never extinguished, and a road that tightens down to
cliff face and sudden turn brings back to our blood the ancient need to
go to the highest place.
There is sword-edged Citadel, and the snow-flanked spike of Fusillade
holding court like a queen in this valley of peaks; then the dome of
Jackson and the Gunsight notch. Our eyes are kept high, transfixed at
last by looming Heavy Runner and the distant promise of Reynolds.
Looking for mountain goats, we scan the walls around the sweep of Siyeh
Bend, catching a glimpse of the trail that crosses the scree to hidden
Piegan Pass.
Beargrass heads lean out above the road like old men conferring on the
view. The purple trumpets of penstemon crowd the rocks, and spots of
Indian paintbrush lead like a blood-trail to the higher slopes.
Intoxicated now, feeling the fresh full force of the wind from Logan
Pass, we race on. We hardly notice the struggle of the forest in
Reynolds Creek far below, how it thins and loses strength in its own
hard climb. We sweep past it on the broad magnificence of this pass.
Level but a moment, the road dips to a shelf on the headwall above Logan
Creek and swings over the great sculptured cliff of the Garden Wall. For
several kilometers this masterpiece of a road glides down a constant
grade, squeezed between rock face and space, twisting into tight
drainages—a road for storm lovers, wet with spray and snow-seep, its
quick turns concealing sudden winds.
Mighty, snow-robed Heaven’s Peak appears, taking our attention from the
Pass-group mountains and the hanging valley that spills Birdwoman Falls.
Northward is the great array of peaks encircling distant Flattop,
jumbles of mountains and glaciers. How are we to notice the forest far
below?
Public-domain text, read in full here on John Shaqi.
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