Proust, Marcel, 1871-1922 -- Criticism and interpretation
The death of Marcel Proust in Paris on November 18, 1922, and the
manner in which the news of his death was, by no means numerously,
reported in London, brought into question the extent of his rumoured
rather than defined influence over readers in this country. This
question it was natural that I should ask myself, for I had recently
published an English version of the first part of his great novel,
_Du Côté de chez Swann_, and was then about half way through
the translation of its sequel, _A l’Ombre des Jeunes Filles en
Fleurs_. The writer of a savage, though evidently sincere attack
on Proust which a London newspaper published within forty-eight hours
of his death seemed to assume that he had already a considerable (if
misguided) following here, and it occurred to me that I might obtain,
from writers who were my friends, and from others who had expressed
their admiration of Proust in English periodicals, a body of critical
opinion similar to that which, I learned, was being collected in Paris
by the editor of the _Nouvelle Revue Française_. To test the
worth of my idea, I began with the seniors. Mr. Saintsbury—who (in
this respect only) might have served as the model for the Marquis de
Norpois, whose promptness in answering a letter “was so astonishing
that whenever my father, just after posting one to him, saw his
handwriting upon an envelope, his first thought was always one of
annoyance that their letters must, unfortunately, have crossed in the
post; which, one was led to suppose, bestowed upon him the special and
luxurious privilege of extraordinary deliveries and collections at
all hours of the day and night”—replied at once, and Mr. Conrad soon
followed, with letters of which each correspondent authorised me to
make whatever use I chose.
So, I must add, did Mr. George Moore, but in a letter expressive only
of his own inability to stomach Proust, the inclusion here of which,
even although it might make this volume a prize to collectors of
first editions, would compel the excision of the word “tribute” from
title-page and cover. Mr. Walkley, the doyen of English Proustians as
he is of dramatic critics, and Mr. Middleton Murry put me at liberty
to use articles which they were publishing in _The Times_ and
its _Literary Supplement_; Mr. Stephen Hudson, the most intimate
English friend of Proust’s later years, consented to write a character
sketch; and on this base my cenotaph was soon erected.
Public-domain text, read in full here on John Shaqi.
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