American fiction -- 19th century; London (England) -- Fiction
I shouldn’t be surprised if he was
really almost as fine as Richard the Third.”
“How amusing!” said Vestalia at this point, and Mosscrop was swift to
take the hint. They moved on through the Greek rooms, where the girl had
more of a chance. She had known a few of the students who are accustomed
on giving days to offer up sacrifices of time and crayons and good white
paper in front of the more fashionable statues, and this had provided
her with what seemed to her companion an exhaustive familiarity with
Hellenic art. This advantage followed and remained with her amid the
sombre and lofty fragments of the Mausoleum, and shone about her when
they confronted the frieze of the Parthenon.
“It is not my subject,” he remarked, delightedly. “This is a Hermes, you
say, and that a Winged Goddess of Victory. Ah, and this is a River God.
I don’t think I’ve ever been here before. It is charming--to come with
you. We supplement each other. Sure enough, I ought to have foreseen
that you would know about Greek art. It is just the field that would
attract a beautiful young woman. It fits you--it belongs to you.”
“How--now!” she admonished him, holding up a finger in playful protest.
“Oh,” he urged, “if I’m not to say that you are beautiful, we might
as well not have any birthday at all. That is its most elementary
fact--lying at the very foundation of everything. To ignore it would be
like trying to celebrate the Fifth of November without a guy.”
Again she shot a glance of dubiety at him. “I don’t know in the least
how to take that,” she confessed, with a quiver on her lip.
He laughed outright at this, and gaily patted her on the shoulder. “This
unnatural Attic levity of mine is all the fault of the frieze. I’m a cat
in a strange garret here. Hasten with me to the Assyrian rooms, if you
want to see the utmost height of solemnity it is given to mortals to
attain.”
He was not quite as good as his word, when they began loitering along
before the carved tablets from Nineveh and Khorsabad. Instruction he
could not help piling upon his companion, for this was _his_ subject,
but he found himself seasoning it with all sorts of sprightly
commentaries on the serious text. Of grave and sportive alike he had so
much to say that Vestalia took his arm, and leant upon it as they
made their slow progress through the long corridors. The contact was
exhilarating to him. He could not be sure that she was assimilating any
large proportion of his discourse, but her pretence of interest at least
was very pretty, and the touch of her arm in his was full of inspiration
to his tongue.
Public-domain text, read in full here on John Shaqi.
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