Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841 — John Shaqi
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
“What a God-send is a Napoleon!” exclaimed CHARLES WHEELER; “let us pray
for scores of such, that a new and superior mythos may arise for us!” Is
it malicious to suspect a subtle irony turned against the sacred person
of R. W. E. in this speech?
MARGARET retorted indignantly that if they came, _we_ should do nothing
better than write memoirs of their hats, coats, and swords, as we had
done already, without thinking of any lesson they might teach. She could
not see why we were not content to take the beautiful Greek mythi as they
were, without troubling ourselves about those which might arise for us!
R. W. E. acknowledged that the Greeks had a quicker perception of the
beautiful than we. Their genius lay in the material expression of it. If
we knew the real meaning of the names of their Deities, the story would
take to flight. We should have only the working of abstract ideas as we
might adjust them for ourselves.
MARGARET said that a fable was more than a mere word. It was a word of
the purest kind rather, the passing of thought into form. R. W. E. had
made no allowance for time or space or climate, and there was a want of
truth in that. The age of the Greeks was the age of Poetry; ours was the
age of Analysis. _We_ could not create a Mythology.
EMERSON asked, “Why not? We had still better material.”
MARGARET said, irrelevantly as it seemed to me, that Carlyle had
attempted to deduce new principles from present history, and that was the
reason he did not _respect_ the _respectable_.
EMERSON said Carlyle was unfortunate in his figures, but we might have
mythology as beautiful as the Greek.
MARGARET thought each age of the world had its own work to do. The
transition of thought into form marked the Greek period. It was most
easily done through fable, on account of their intense perception of
beauty.
EMERSON pursued his own train of thought. He seemed to forget that we
had come together to pursue Margaret’s. He said it was impossible that
men or events should _stand out_ in a population of twenty millions as
they could from a population of a single million, to which the whole
population of the ancient world could hardly have amounted. As Hercules
stood to Greece, no modern man could ever stand in relation to his own
world.
MARGARET thought Hercules and Jupiter quite different creations. The
first _might_ have been a deified life. The second could not.
CHARLES WHEELER said that R. W. E.’s view carried no historical
obligation of belief with it. We could not deny the heroic origin of the
Greek demigods, but the highest dynasty was the exponent of translated
thought.
SOPHIA RIPLEY asked if the life of an individual fitly interwoven
with her experience was not as fine a Poem as the story of Ceres, her
wanderings and her tears? Did not Margaret know such lives?
R. W. E. thought every man had probably met his Jupiter, Juno, Minerva,
Venus, or Ceres in society!
MARGARET was sure she never had!
Public-domain text, read in full here on John Shaqi.
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