Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841Fuller, Margaret
Philosophy
Margaret and Her Friends: or, Ten conversations with Margaret Fuller upon the mythology of the Greeks and its expression in art, held at the house of the Rev. George Ripley, Bedford Place, Boston, beginning March 1, 1841
Fuller, Margaret
Mythology, Classical, in art; Mythology, Greek
CHARLES WHEELER would not accept the criticism, but went on to talk about
the marriage of Venus with Mars, which had amazed Olympus.
MARGARET said the Olympian Deities were like modern men, who talk to
women forever about their softness and delicacy, until women imagine
that the only good thing in man is a strong arm. The girl elopes with
a red coat, and the indignant lords of creation wonder why she did not
appreciate their modest merit and unobtrusive virtues. Poor Beauty _weeps
out_ the crimson stain upon her escutcheon in a long age of suffering.
A laugh followed this bright sally, and then somebody said that Venus
once married Mercury.
MARGARET declared that must be an interpolation, for there were no points
of sympathy between the Goddess of beauty and the God of craft.
JAMES CLARKE did not know about that; he thought that the finish and
completeness of the late robbery of Davis, Palmer, & Co. constituted a
_kind of beauty_!
MARGARET said that affair was altogether grand; she had never heard of
anything so Greek as Williamson’s exclaiming, “Gentlemen! you will not
deprive me of the implements of my trade?” She could not help respecting
his impudence! The Greeks ought to be respected for developing every
human faculty into deity. She thought lying, stealing, and so forth
only excesses of a good faculty; and so did the Greeks, for in their
mistaken way they had deified Mercury. The Spartans taught their children
to steal, and the Greeks universally acknowledged that to cheat was
honorable if it could be concealed.
I remembered the passage in the “Republic” where Polemarchus confesses
that he had learned from Homer to admire Autolycus, grand sire of
Ulysses, distinguished above all men for his thefts and oaths!
Thrasymachus said that the unjust were both prudent and good, if they
were able to commit injustice to _perfection_! Is the immortality of
Autolycus the destiny of Williamson?
WHEELER said there certainly was a well authenticated marriage between
Venus and Mercury.
I could not help thinking it might be an astral connection that was
indicated. On that remarkable day of his birth, Mercury was not content
with stealing the divining-rod from Apollo; he took also the cestus from
Venus, the voice from Neptune, the sword from Mars, the will from Zeus,
and his tools from Vulcan! Sagacity compassed all the deeps of divinity
to reach its end.
IDA RUSSELL asked if Venus and Astarte were not the same.
MARGARET said Astarte belonged to the stars.
Did not Venus, I wonder? But of course they are creations far asunder as
the poles.
CHARLES WHEELER thought Astarte and Venus Urania were the same.
IDA said that could not be. The first statues of Astarte were rough
blocks of wood, with veiled heads.
So, I said, were all first statues of Deities; so that was no argument.
When JAMES CLARKE asked Margaret to compare Venus with the Madonna, a
curious talk arose between Alcott, Margaret, Charles Wheeler, and Emerson.
Public-domain text, read in full here on John Shaqi.
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